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I will soon be bringing home a kitten, and I am so excited for it. It's been over a decade since I've had a kitten, and I just want some advice!
My current cat, a beautiful old gal in the double digits hasn't been around kittens since she was around 5 or 6, and although she has been around other adult cats in MY adult years (various roommates having cats when we move in together, etc.), she has not seen another kitten in... years.
Hell, she hasn't even seen another cat in over 2 years since we got our own place.
What would be the best route to help introduce them to each other?
Adults are so much easier to introduce, I feel
Hello,
kpopthoughts! Originally this was posted in
twice but one of my friends said I should crosspost it here — so here this album review is.
Intro
To preface the review, I just need to say that this is going to be a very long read. Going through it myself for the fun of it takes around 30 minutes — it's almost 7k words, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in
Talk that Talk and
Trouble. Each song review will compose of my commentary, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very
emotional about something. Anyway, onto the review!
Between 1&2 💞
Album Review
TELL ME WHAT YOU WANT TELL ME WHAT YOU NEED
Talk that Talk 🎙
Producers by collapsedone and MRCH
One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like, Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the
Yes or Yes,
Push & Pull, and
1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that Talk ttak han madi
Talk that Talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~
During Sana's
Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling
L-O-V-E, concluding with the
deullyeojweo ooh! Oh my Jihyo the
deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, inflecting and holding that
now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that shouts out loud that
this is THE chorus. This is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [
Tell me]
WHAT YOU WANT to full-send it. The production also helps with this effect, cutting out during
what you to emphasize Nayeon's voice before crashing back down, double the pause at Jihyo's intro.
Another
deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you
The word “
love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery
Talk that Talk, Momo comes out of nowhere with
oh yeah it sounds so good! — you’re damn right it does, and this is where the song SOARS.
han beon deo~ haejweo
geurae banggeum geu mal~
Nayeon outright shouts
Tell me what you need and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second descends, causing a lull in the song before the finale with Tzuyu and Nayeon, finishing off the song with the final
deullyeojweo ooh! What a party. What a song.
THE GOOD
- The synths of all time
- The chimes during Talk-that-talk~
- Jeongyeon’s pre-chorus going into Nayeon’s chorus
- Rich harmonies and fun ad-libs
- The entirety of that magical final chorus and outro
Needs Work
- The opening hook (Tell me what you want) and accompanying choreography could be “catchier”
Core Memory
- Singing (and dancing) my heart out when this song played at a K-pop club
Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish, there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go
ooh ahh. Years later, they started pondering
What is Love? and imagining their crush responding with
Yes when asking them out — and now concluding with the phrase
Talk that Talk, [Talk that] L-O-V-E, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off
Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the song's production. This is the third draft I’m writing about
Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to,
TTT is an easy 10/10.
WATCH ME GO WATCH ME GO RULE THE WORLD
Queen of Hearts 👑
Produced by LDN Noise
If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic,
Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~
Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
Baby I was born to rule~~
Yeah I’m the Queen, I’m the Queen
And it’s all because of you~~
That I’m the Queen of Hearts
These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always,
always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line
And it’s all because of you. But Mina shows more sides of it in the second verse, especially with the phrase,
And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls
It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]
This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like
Talk that Talk,
Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centre stage in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts
I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
THE GOOD
- Adorable fucking lyrics
- Unrelenting, roaring chorus
- English and vocal flex
- Intoxicating guitar riffs
Needs Work
- Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song
Life Highlight
- Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts
I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
I WANNA WANNA WANNA TAKE YOU TO THE BASICS
Basics 🌈
Lyrics by Chaeyoung
Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky
Handle It —
Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo
Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line
rainbow bubblegum is so adorable and so Chaeyoung.
I wanna wanna wanna take it to the Basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah
That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible:
wanna,
weonhae, and
ppeonhae all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very
Boy With Luv-sounding
ah yeah ah yeah, ah yeah ah yeah comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende
Translating to:
Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously
The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
THE GOOD
- That sweet summer vibe of a chorus
- The spaceship post-chorus is killer
- Chaeyoung devoured this song
- Sure-footed, confident lyrics
Needs Work
- Perhaps an alteration of that ah yeah ah yeah line
- The way Jihyo did her pre-chorus line is good, but Mina’s is great
Core Memory
- After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting
This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning
spaceship post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like
Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
BABY WE’RE IN TROUBLE TROUBLE
Trouble 💃
Lyrics, vocal direction, and background vocals by Jihyo
Produced by Jihyo and earattack
One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces
Let’s go, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasting with Jeongyeon's staccato flow, the wobbly synth beat mixed with a sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
- Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
- The blooming of the house piano takes centre stage and the song ascends into euphoria
- A random drum roll capped off by a cymbal crash
- Jeongyeon’s growling pronunciation of the word Trouble
- Chaeyoung slyly admitting I like this Trouble
- The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
- Sana using her deep voice for the na~na~na~na
- Jihyo leading the vocals during the synchronized T W I C E chant
This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake
During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss
Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet
Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for
cannot miss this in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼ Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
Woo wee woo wee woo
I like this Trouble be-be
Woo wee woo wee woo
I like this Trouble bay-be
Woo wee woo wee woo
I like this Trouble bay-beh
Woo wee woo wee woo
I like this Trou-ble
Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final
T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
THE GOOD
- The theme of relishing in an uncontrolled love
- Sana and Mina’s melody in the pre-chorus
- Whole neighbourhoods full of house
- You cannot resist this, cannot miss this, such a bliss
- Wees and woos
Needs Work
- Mina’s line of falling down, falling down, falling down low in verse 2 feels a bit too abrupt of a change
Core Memory
- While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in my enjoyment
Need I say more, easy 9/10. The only reason I place
Talk that Talk above
Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to
Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since
TT was birthed in 2016, and has been a staple of their discography since 2019’s
Fancy You and
Feel Special mini albums, but
Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
BRAVE BRAVE BRAVE FOR YOU
Brave 💖
Produced by Slow Rabbit
I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic
oohs from the members — this song is
PRETTY.
The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe
Mina and Chaeyoung open the song with how they feel lonely, that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to become this emotional.
Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them
Brave that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of the chorus, acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
Oh na na na neon nal naige hae
On and on and on
Brave Brave Brave for ya
Oh na na na neon nal sum shwige hae
On and on and on oh trust me babe
Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "
na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
THE GOOD
- Special lyrics
- Pleasant sound to vibe out to
- That gentle break after the first chorus
- 3MIX poppin' off at the end
- Just very pretty vocals throughout
Needs Work
- Potentially hard to comprehend without translating the Korean lyrics
Core Memory
- Form of Therapy’s life motto revolves around the word “brave” — I don’t know where I got that from, but I remembered it right before watching his album reaction (yes, this is very random)
I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but
Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with
Young & Wild,
Rainbow,
Queen,
Go Hard, Depend on You, even this album's
Queen of Hearts, and, of course,
Feel Special.
Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:
- 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
- 8/10s are great songs with distinct killing parts
- 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
- And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way
I SEE THE LIES ON THE TIP OF YOUR TONGUE
Gone 💨
Lyrics by Dahyun
Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt as of this review, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s
Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and
Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build, but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
I see the LIES on the top of your tongue
The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
All the fate I had towards you
Fades like a fog, Gone, Gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases
The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s
Bring It Back, 2021’s
Cruel, 2022’s
That’s all I’m saying, and even 2023's
Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s survived through a dozen bad relationships. Dispatch, do try to do your job better.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
I can’t stand it anymore
My patience, invisible
I can’t find it, it’s all Gone
Even if I try to turn back, it’s too late
There’s no use anymore
It has left, it’s long Gone
You, with flipping mind, you are out
I know that you know what I’m talking about
Nothing you could say that could turn this around
I’m Gone
Building upon the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what love was once there. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the G
one in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
THE GOOD
- They’ve still got their surprises
- Thundering chorus
- 2nd rap and bridge combo
- A bitter, crumbling relationship theme
Needs Work
- I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
- The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens
Core Memory
- Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck
Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's
Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song elevates it to an 8/10. Keep on breaking hearts, Dubu.
INVINCIBLE SUPERHEROES
When We Were Kids 🧸
Lyrics by Dahyun
Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in:
Invincible superheroes, we wanted to be adults
To the higher, clearer world
The chords start swelling, the high hat keeps pace, and the harmonies pour in.
Remember When We Were Kids
When We Were Kids, we didn’t know
If we could go back
I will love it even more
Remember When We Were Kids
Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount and range of Jeongyeon vocals in this album. Her voice is so textured, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
I wish that I could meet
Could meet the younger me
Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and
When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
Oh, we were kids
Reflection, acceptance, hope. What a song.
THE GOOD
- Heavenly vocals throughout
- Relatable, heartfelt lyrics
- Euphoric chorus
- Great closer to the album
Needs Work
- Refrain after the last chorus, Back When We Were Kids, could’ve been executed better
Core Memory
- For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday
I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing
Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original meaning was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between
TTT and WWWK, I'd give it to the one's that's more repeatable —
Talk that Talk just has this electric energy about it.
Epilogue
And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey.
Brave hit me harder this time, after being overshadowed by the other gems of this album, and
WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of
TTT to the anthemic euphoria of
QoH, the clubbing dichotomy of
Trouble and
Brave to the blissful glee of
Basics, and the sweet reminiscence of
WWWK to the thundering anger that is
Gone. Like
Eyes wide open, I liken
Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards
Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and
Eyes wide open frankly also deserved the spotlight that
Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July.
QoH was as glorious as expected,
Brave was a delightful surprise, and
WWWK, while not being the concert closer everyone expected it to be, paired up nicely with
Crazy Stupid Love. And of course the bombastic addition of the dance break to
TTT. But, this is not a concert review, and here is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.
So, I've had my sweet German shepherd for 7 years, he is the gentlest of giants and we've never really had behavior problems with him. He is a bit spoiled tho, and ever so slightly territorial with dogs he doesn't like, for some reason. Usually, he gets over it when he sniffs them face to face though. He has lived with my family practically his whole life, and is more of a family/ house dog now (aka he loves the house more than us lol). I will probably be living with my family for at least a few more months, at most maybe a year and a half.
However, I have recently taken in a (roughly) one year old cat, who is also very laid back and chill. He is very comfortable with people and new places after just a few minutes. The problem is that my GSD and new kitty aren't on the best terms. I have had my cat in my room for the last week, with everything he needs, and having the two sniff each other through the door occasionally, however my dog will start whining and scratching at the ground, which scares my cat and he will react by hissing and skittering away. They've seen eachother through a mesh screen, and my GSD was barking (not aggressively, more frustrated) while my cat gets scared and bares his teeth. My cat clearly does not want to live exclusively in my room, he will run at any chance to the rest of my house, but realized my dog is there and hides under a couch or bed. Every time my cat meows for me to come back to the room or let him out, my dog will jog over to my door and lean down to look at my cat. We have tried some face to face, but my cat is not used to dogs, and my dog is more or less confused. When my dog is out on a walk or something, I'll let my cat wander and explore the house, but he is still a bit weary that my dog will show up.
My GSD is not very food motivated, or very toy motivated (unless it is his favorite treat or frisbee) and my cat is pretty much only food motivated. They are similar with how they act around my family and I (loves naps, will cry for attention, loves certain playtimes). Additionally, my GSD is relatively well trained, and knows basic commands and is good at learning new things, but as he gets older he is bit more stubborn.
I don't even want them to be friends and cuddle/play or anything like that, I just need them to exist together and ignore eachother. They somewhat seem to want to meet each other, they will both go to the door and reach under or sniff under, but once they get too close it all falls apart. But they always come back to the doorway.
Sorry for the long post, I love both of them very much, and don't want any more stress on my sweet GSD, but I want this to work out too. Nobody else is my family is willing to help with this, which I'm fine with, but it is difficult by myself regardless. Any advice helps, but from experience, GSDs are a bit unique with the ways they adapt and behave so I really could use some help.
I (15 years old) have been struggling for years with quite literally everything i have ever been scared of and i dont know what to do anymore, I have been getting worse to the point of considering doing the worst, Modt thinfs are from the past but i cant seem to shake kt off, im terrified of cops and cps my parents would fight My moms exs used to abuse us my mom used to not be the best at all my dad died all my friends have left me i dropped out of school for being the outcast bullied kid ajd we have no money at all at we can just barley pay bills and ive gotten attached to my cats but they keep dying or the neighbors kill them. my living situation is beyond safe amd im in physical and mental pain. The only person who was there for me was my ex but he just left me today and now im all alone again stuck with all of this plus so much worse and I'm all alone. Everyone treats me terribly and i cant do it anymore. it hurts. i havent gotten a hug from my family in 5 years (Around before i got out of foster care) and i miss the old times and wish to go back but im trapped in this shit town around shit people constantly terrified of anyone who shows up scared of people I'm always hearing and seeing and feeling shit thats not there ajd my house hasnt been cleaned in 5 years (again since i got out of foster care) i love my mom and shes gotten diagnosed again with cancer and im scared of her dying because if she dies then me and my 6 siblings are fucked. Somone please talk this over with me i cant do this alone any longer i seriously cant.
Hello! I was just walking my dog and we came across an orange tabby cat wandering around the parking lot of 170 Bayview Ave. (Bayview and Lawren Harris Square). I tied up my dog and tried to see if the cat was friendly; it killed a field mouse and then ran to hide underneath a CCSL group van. It didn't appear to be wearing a collar but looked well fed and groomed, guessing it is someone's pet. Anyway, I was thinking of going back to see if I could lure the cat into a carrier but I have two dogs and a cat staying in my small apartment right now and realistically it wouldn't be a good idea to bring it back here since I have no room to keep the cat separated. I don't really know what the point of this post is, but I am hoping that the cat's owner sees this or someone that might be able to help the kitty out if they are indeed lost/not an outdoor cat. (I didn't have my phone with me at the time so unfortunately no photo.)
Hello! I was just walking my dog and we came across an orange tabby cat wandering around the parking lot of 170 Bayview Ave. (Bayview and Lawren Harris Square). I tied up my dog and tried to see if the cat was friendly; it killed a field mouse and then ran to hide underneath a CCSL group van. It didn't appear to be wearing a collar but looked well fed and groomed, guessing it is someone's pet. Anyway, I was thinking of going back to see if I could lure the cat into a carrier but I have two dogs and a cat staying in my small apartment right now and realistically it wouldn't be a good idea to bring it back here since I have no room to keep the cat separated. I don't really know what the point of this post is, but I am hoping that the cat's owner sees this or someone that might be able to help the kitty out if they are indeed lost/not an outdoor cat. (I didn't have my phone with me at the time so unfortunately no photo.)
Hello! I was just walking my dog and we came across an orange tabby cat wandering around the parking lot of 170 Bayview Ave. (Bayview and Lawren Harris Square). I tied up my dog and tried to see if the cat was friendly; it killed a field mouse and then ran to hide underneath a CCSL group van. It didn't appear to be wearing a collar but looked well fed and groomed, guessing it is someone's pet. Anyway, I was thinking of going back to see if I could lure the cat into a carrier but I have two dogs and a cat staying in my small apartment right now and realistically it wouldn't be a good idea to bring it back here since I have no room to keep the cat separated. I don't really know what the point of this post is, but I am hoping that the cat's owner sees this or someone that might be able to help the kitty out if they are indeed lost/not an outdoor cat. (I didn't have my phone with me at the time so unfortunately no photo.)
Siamese mix cat, indoor spayed female, we’re in NC (USA). Vet estimates 8-9yo but actual age uncertain (we rescued her from the street August 2021 as prior owners abandoned her an unknown length of time ago). She was wormy, anemic, and had fleas, & a URI when we got her. Dewormer and doxycycline worked wonders and she was ok for a bit. Diagnosed hyperthyroid about 1yr ago & we have yet to reach euthyroid status. She’s on transdermal methimazole 15mg twice daily. I don’t recall initial T4, but at subsequent visits it was 9.6, then 8.1, then lower than that (they didn’t give me a specific number) but still too high, which is when we went up to 15mg methimazole BID.
We just had T4 rechecked Friday 6/2, awaiting those results. My biggest concern at the moment is her weight. Her highest/seemingly healthiest was 7lb, about 2mo after we got her. She has been hovering around 6-6.5lb since thyroid dx, but in Friday her weight was 5.5lb. I could tell she felt lighter but she is v floofy and it’s hard to see the skinniness. We feed her kitten food (wet and dry) for the extra calories. Litter box use is consistent w/ her baseline.
I guess I don’t know why she’s losing weight now, despite methimazole and kitten food, or what I can do about it. Do I give her calorie supplements? Do I accept that this is the beginning of the end/wait for her to tell me when it’s time for the rainbow bridge? Do I advocate for her to get checked for kidney failure and/or diabetes? My biggest thing is, this cat seems to have had a rough life before we got her and I do not want her to suffer.
I’ll of course talk to the vet when they call me with T4 results….just trying to be prepared for the discussion. Thank you all SO much.
(PS - I do human medicine so please feel free to use medical terms here, it is the language I understand best.)
Also - if it’s pertinent, she got a first dose of Solensia last Friday as well.
Throwaway for OBVIOUS reasons. This is a long, kind of crazy story that has a lot to do with intuition and straight up Facebook stalking lol not the most serious detective work, but it ties together. Please bare with me, as I'm going to do my best to get it all out in a way that makes sense.
I'm a healthcare worker. When I was in my early 20s, I had a coworker, lets call him "Ross," who rubbed me the wrong way within the first few weeks of knowing him. He was a seemingly charming, outgoing ~40 y/o who infiltrated into and got along well with my work friend group. He started to rub me the wrong way when he would try to "innocently" make physical contact with me during visits with our patients (making a point to put his hand over top of mine when doing a Hoyer transfer, asking for hugs, putting his hand on my back or shoulder, etc.). This escalated to him telling me on a regular basis how beautiful he thought I was and how "in shape" I was, telling me that I could be a supermodel... he continued to do this refer to me as "supermodel" at our group outings, in front of my boyfriend and his fiancé, "Rachel." She was less than thrilled and safe to say she didn't like me from the get-go. (Side note: when he started working with us he had told us about his girlfriend, it wasn't until we met her that she told us that they had been engaged for over a year.) To tell you a little about Rachel, she too was in her early 20s and a beautiful, sweet, reserved, dark-blonde girl. Hair color ties into this. They lived together with his "only" teenage daughter.
After about two months of working with this guy I could not shake the weird vibes he gave me. I told a friend that I worked with about it and she expressed that she had noticed how Ross was strangely infatuated with me and another girl that we worked with (also early 20s). She told me how she had felt like he was appropriate towards her, but pointed out that she has blonde hair and that me and the other coworker both had dark brown hair--suggesting that perhaps he had more of a type.
Decided to google Ross, as he has a rather unique last name. I figured that I would probably find nothing and could put my mind to rest about the weird feeling in my gut once I did... but I didn't. Instead, I found an obituary for a close relative of his that had his name listed as well as what I assumed were the names of his ex wife and three daughters. This peaked my interest because he had told us at length about one daughter, but only one, and that one's name was on the list.
I searched the name of his ex wife on Facebook and to my delight it seemed that most of, if not all of her posts were public. Under the influence of a strong edible, I spent more time than I'd like to admit just mindlessly scrolling through her posts. Not reading every one, but just scanning to see if there was anything that stood out. She was a pretty, older, dark-haired woman who shared a lot of After scrolling through a few months worth of posts, I came across a screenshot of a Pinterest-like image of a living room with two canvases that spelled out "STOCKHOLM" on them, or something to the effect... and her caption on it was "I found the perfect housewarming gift for my sister, Rachel," and in that moment my heart sunk to my stomach... because I KNEW.
I kept scrolling and found another post that was sharing a link to an article entitled "A Different Kind of Heart Attack: New Research Finds A Broken Heart Permanently Weakens The..." (I'm referring to a screenshot, so that's all I've got.) Her caption on the post solidified the feeling in my gut. She wrote in her caption, "This literally happened to me a few years ago... My BP was regularly low and I had fainting spells due to my heart not pumping enough blood to my brain... this was after discovering that my now ex husband was sleeping with my 15 year old sister. I later learned that he was also abusing our children." I could have barfed. Putting those pieces together told me that Rachel had been groomed into being this gross man's fiancé. From her comments it sounded like for whatever reason, the court system failed them and he had gotten out with no charges or anything.
I immediately told my friend and from that point on only interacted with Ross in a work setting. If he went out with our work friend group then I didn't talk to him, I brought my boyfriend to ensure I wasn't alone, and I avoided him at all costs. At work he still was overly friendly/touchy towards me for months until finally like a year later he finally seemed to get the hint that I wanted absolutely nothing to do with him. He stayed infatuated with my other dark-haired coworker.
I can't pinpoint when I finally noticed the mask drop from him, but I definitely can tell you that once it dropped I could see him for all that I had learned that he was... cold, dark, and unfriendly. Once he noticed that I would not play into his games, he turned off the charm on me and would get mad at me for miniscule things at work. I'm good at what I do, but this guy would try to belittle me in front of other coworkers and make it seem like I didn't know what I was doing when I would fill in for others and that my other coworker (that he loved) was the best at what we do and that I should lead by her example. I sucked it up and didn't take it personally, because I knew it wasn't... He would talk down to me and scold me for weird things and try to mansplain everything.
We had one interaction that I will never forget, outside of our clinical office. He had gone out to leave for a visit where he was training someone (still on the clock, in-home care setting) but had forgotten something in the office. I ran down to see if he had left yet to give it to him to take, as the patient needed it, and his car was still in the parking lot. I ran up and tapped on the window and this man turned his head back in disgust and his blue eyes went pitch black. It was a very short moment, but it was a switch I definitely noticed. He did the annoyed "one minute" gesture, as he had gotten on a phone call, so I waited then gave him the patient's item and quickly went back upstairs.
Not too long after that I ended up finding another job and I stopped hanging out with that work friend group because I decided that it was just giving me too much anxiety to be around this weirdo, and I didn't have to subject myself to that.
After changing jobs, he sent me an "apology" text for being rude to me and that he hoped we could still be friends. I didn't respond, but rather blocked him on everything to get my point across.
I did, however, keep Rachel, who at this point had started school for a specialty medical program. I told my close friend who knew the whole situation that I was holding out hope that Rachel was just using Ross to pay her way through school and that she would leave him once she got her degree. I never had a problem with Rachel, we just got off to a weird start and I didn't like her dude so I was not going out of my way to be her friend.. lol. So we have stayed social media friends the whole time.
Anyhow, fast forward to this last summer, Rachel graduates with her degree. I say again to my friend how much I hope she was just going to get a good job and leave him after a few good paychecks.. (I don't wish that upon most people, and definitely acknowledge that in most situations that would be awful lol my moral compass is there, I swear, but like COME ON!!! How full circle karma would that be?)
Well, they seem to stay together for a while after that until all of a sudden I noticed that she was posting in a seemingly single way... iykyk. I looked at her Instagram and noticed that she had deleted all of their photos together. After responding to a story post, I decided to ask her and she confirmed that they had in fact broken up. I told her congratulations and suggested we get a drink. This was in December.
At the beginning of spring term in my psychology class we had been discussing personality disorders and I asked my teacher some questions keeping the weird interactions I had with Ross in mind, as it is still to this day one of the craziest intuition stories I have. So I ask my teacher about the ability to infiltrate into groups with charisma but then switch to being cold, having the eyes turn black, etc.. My professor told me that the "switching" is literally that, it is the person's personality switching.. and in that moment you see the real them and it's when the "mask slips." He said it is a very common trait amongst serial killers and advised me to stay cautious and safe.
This is where I feel like my story definitely becomes more of a reach (maybe I'm just feeling insecurely crazy), but if you've stayed with me this long, maybe you'll see the dots I'm connecting. I'm a big true crime fan so there's some crime junkie theorizing here.
So, there have been a bunch of bodies that have turned up in the last four months in rural areas of surrounding counties where I live. One of the counties that the bodies were dropped is one that this guy lives in.
The first girl that they found went missing in December. She eerily resembles Ross' daughter that I saw on his ex-wife's FB page (not the one he continued to raise).
Ross and Rachel broke up around that time. Could be a trigger.
The next five bodies were found in rural areas and the commonality amongst the women is that they had dark hair and dark eyebrows, and were in their mid 20s.
That's clearly not enough to accuse someone of something as serious as murder, but it's surely enough to give me the suspicion that if the murders are connected and it's a serial killer that it could be him.
I decided to look at his FB page from an account that can't be traced back to me and over the last few months he's shared a lot of posts about mushroom hunting. You know where people go to hunt mushrooms?? RURAL. AREAS.
I feel so freaking crazy but I CANNOT shake this feeling in my gut that something is up.
Ted Bundy was the same way, a freaking charismatic guy that got caught because someone (his wife) had a weird feeling in her gut!!!
I can't really do anything though but vent to reddit, because I just can't imagine that anyone else would listen to this story and take it seriously.
Also, on the off chance that this guy's on reddit he's definitely going to know who I am. I'll be sure to tell my fiancé about this post and add it to my "if I go missing" file.
We got our cat ghosty when he was just a baby. For a few months now my daughter is plain just scared of the cat. She will be just drawing or watching TV and our cat will randomly run up and attack her completely unprovoked. She’s always looking around for him because he’s constantly attacking her legs when she walks by him. She loves him so much and will try to play with him with toys or just pet him and he will immediately scratch or bite her. She’s never done anything wrong to him. In fact when he was a a baby until about 3-5 months old they were best friends and would play and sleep together every night. He doesn’t attack me just her. Her arms and legs look awful they are all scratched up and I feel like an AWFUL mother. What can I do? 😭
My fiance is on a trip to visit his birth mom. He's obviously hurting kuz he sounds so drained when we talk. He's sad and we've talked about what was going on . It hurts me that I can't hug him to soothe his heart. He doesn't have to best service but I call and text him and visa versa. I tell him about our son and how's he's doing.
I stayed home due to my 5 months old. I just flew with him a month an a half ago. Wasn't really ready to fly with him again so soon. It was a struggle the first time. I had to freeze my milk make sure it stayed frozen, bring his carseat and his stroller. He has two layovers too. My son did alright for the first flight but after that he was fussy.
Also we had no one to watch our pets for a week. One isn't current on shots because she's snappy so we can't board her. One is a cane Corso and in our area they won't board him kuz of his breed for insurance purposes but he's up to date on his shots. Our cat is the only one good to board.
Another reason was we were told by his birth sister that she's full of drama and quick to retaliate when she doesn't get her way( ie. Makes false CPS claims, slashes tires etc)
Anyway I miss him. He's hurting and that fact is making it hard for me to cope. I've tried to stay busy with school and house work and pets. My highlight is with my son but then he looks so much like his father I just think of how he's doing. I've been overwhelmed and he overwhelmed over there. I don't want to stress him out or worry him more when he's emotionally shut down over there.
Yes I'm tired and overwhelmed but I feel that's something that can wait til he's back and rested. This past week has been emotionally, physically and spiritually draining for him.
It's not that I feel I can't tell him how I feel I just feel it's not the right time to tell him as I start feeling better once I'm rested as well.
At the same time I want to tell him how I'm feeling but I really feel timing is important too. So how have y'all coped
hey guys, i don't really use reddit much but i wanted to know if anyone else would have some reassurance about this? my family and i just moved into a new trailer that uses propane (our last one had electric appliances) but as we were going to make porkchops the carbon monoxide detectors (on the ceiling) started going off my immediate thought was "oh fuck we are going to die and so are our dog and cats" which is kind of a leap in logic, but im trying my best to stay calm.
does anyone with a propane gas stove have anything to share? just...things that are normal so i know whats up and so i can hopefully beat my anxiety about this with logic and such.
Heeya! I hope you're having a splendid day, if not thoughts and prayers for you too💀
I would describe myself as a permanently exhausted pigeon with an inner child who keeps him existing
My best friend calls my personality a mix of black cat x golden retriever which is pretty accurate but I never know which lmao
I believe art taste tells a lot about a person so here's mine
Musically I'm inclined to Lana Del Rey, The Weeknd, Tay Tay, Adele, Mitski, Daughter, Steve Lacy, Joji, Cigarettes After Sex, Led Zeppelin, Pink Floyd
My favourite movies and series are Eternal Sunshine of a Spotless Mind, Interstellar, Manchester by the Sea, The Batman (almost anything Batman related lol), The Thing, Midsommar etc
My interests include football (Madridista), psychology, science, space and daydreaming
I'm also an atheist and LGBT+ friendly
I'm in the GMT+5:30 timezone
Oh I'm also neurodivergent(ADHD) and diagnosed with borderline personality disorder (this is a call sign for mentally ill folks, normies please don't ask me what they are, just google)
If any or some that interests, slide in my dms
Please be above 18 and there's no need to comment, shit gives me anxiety