Hi, I would like to share an issue that has been haunting me for most of my adult life, and despite my best attempts I am not able to solve it on my own. I apologize for the length of this post, but I feel in this case the devil is in the details, and if I skip them, I will get advised to try things that I already tried. The issue has to do with romantic relationships and me as person in general. For background, I am 32, white male, healthy, average looking, average weight, bit above average in height, no physical defects, working out, two professions (musician and engineer), with tons of interests and hobbies (writing poetry, composing music, playing semi-pro chess, doing various DIY projects - rocketry, robotics, boat building, also engaging in hiking, rafting, sailing, flying, astrophotography, strong interests in astrophysics, cinematography, philosophy, sociology and psychology, etc.). I have pretty broad social circles with some quite amazing people from various backgrounds, some really close friends from both genders, and socializing quite a lot in general, despite being a classical introvert.
There is a strongly recurring pattern in my attempts to date women, where I initially find someone interesting to me and we engage in conversation. In the past that usually meant dating apps, but I eventually gave up on them because I found they impose a certain unnatural mentality and set up forced expectations for the interaction. So now I seek out people of the opposite gender that I notice in my social circles, ones that I find potentially interesting. Of course, I first try to talk to them in person if possible, but sometimes there is no chance/time for that, so in these cases I seek them out on social networks afterwards ("hey, I saw you at X, didn't get the chance to approach you, but thought it would be fun to talk to you"), which usually starts things off pretty great.
I am going to skip the cases where the other person and me obviously have nothing to talk about, or when I discover that the other person is already with someone, and focus on the cases where we both find each other intriguing. So, we engage in conversation, find we have much in common, tell stories, ask each other questions, share memes, finish each other's sentences... It feels natural, without any forcing, there is this great "flow", often with a healthy dose of sexual tension. I find that after my initial effort, the other person fires up with enthusiasm, begins conversations themselves (texting first in the day), often appearing even more eager than me. More times than not, I find these women expressing a strong romantic or even explicitly sexual interest through these conversations, far too straightforward to be written off as a possible misinterpretation ("C: can't tell").
So, we set up a meeting, typically something simple, like a walk, a short hike, coffee or some activity that we both feel passionate about. These meetings/dates also seem great: we're connecting, having endless topics to talk about, making jokes that we can both laugh at, there is this amazing positivity in the air, also with a healthy dose of mild sexual tension. These women often say that I am the most interesting and intriguing person they ever met - I suppose mostly due to my many interests and the many fun, intriguing and deep stories I can tell from my experiences. They also say that I am a great listener, never overwhelming them, always knowing when to speak and when to listen, when to ask the right questions. Sometimes in these dates I barely can get a sentence in because of how easily these women open up to me and tell their stories. In general, with few exceptions, they say it is extremely enjoyable to spend time with me.
This is where the good part ends.
What is missing from all this, is that I notice that their body language doesn't match their intellectual/emotional enthusiasm at all. The other person keeps their distance, always looks away, never initiates any physical contact (such as a light touch on the arm when joking, etc.). If I sometimes try to do something like that myself, they do not seem intimidated, do not retreat or object verbally or in body language, but don't respond to it either. And that sexual tension I mentioned is also only verbal. It feels like everything is great, except for this lack of attraction from their part. They just seem indifferent in that regard. Of course, I don't force it, as I understand such things don't have to happen on the first date. I try to keep my distance as well, so I don't come off as intimidating or touchy-feely, letting them make take the next steps - which they never do. Most important of all, I try not to focus on how I appear to the other person, but instead focus on that person, truly listen to what they are saying, and simply have fun time together without overthinking. The date goes great, it is clearly enjoyable for both parties right till the end, we say bye with smiles, laughing and clearly sharing a great feeling.
And then, when I text the next day (or any time later) to thank for the meeting and continue conversing, one of three things happen:
1) They do not reply at all, and completely ghost me forever;
2) They do reply, saying that the date was amazing and they would love to continue it as a friendship, but then drop:

a) "There was no physical attraction" b) "I don't find you attractive as a man" c) "There was no chemistry" Which, as you can imagine, comes as a blow to my ego, and makes me feel confused as to why they feel this way, especially after such an amazing start, with so much genuine enthusiasm from their part. I try my best not to overwhelm the other person with the negative emotions I feel, and respond with something like "Hey, thank you for being straightforward with me. It is okay, no harm done. However, could you do me a favor and let me know what made you feel this way? Was there something that put you off, or something that you expected and it wasn't there? I would really appreciate your feedback, as it would really help me improve for the future. I am almost impossible to offend, so you can give it to me straight if you want, even if it's something that other people would get mad about", or some other variation of it, trying to keep it light and easy for the other person to reply to. Typically, after I ask this question in any form, the other person completely stops responding forever (ghosts me). At the very best, they just repeat that I am not attractive, and don't provide any more details, avoiding the topic in every way possible. Some of them, instead of ghosting, go to great lengths in trying to keep me as a friend instead, yet making it crystal clear that the line will be drawn there and I should never expect anything more. 

3) At some point I had a thought that perhaps the meeting feels too much of a date, and it makes the other person feel cornered to tell me whether they like me or not, making them default to a safe "no", so I also tried stop calling it "date", and make things even simpler - two people just meeting to get to know each other, without any unspoken pressure of this having to lead somewhere, without any explicit expectations, without any big questions afterwards. In these cases, after the meeting the other person would typically not ghost me, but all their enthusiasm and energy in conversing would still disappear completely, or become purely platonic. Before the meeting they are on fire and so eager to meet me, but afterwards their responsiveness is dead in the water, they continue to converse with no passion or effort, maybe one message per day, and definitely no more meetings, unless strictly as just friends. After all that amazing energy and flow in the conversations prior to the meeting, it feels like hitting a brick wall.
In the cases where our very first interaction was in person, pretty much what I wrote about dates applies - these women appear to be immensely enjoying that interaction, yet with no signs of attraction whatsoever, and if at some later point I show any light romantic interest ("I would love to go out with you sometime" / "I am going on this fun hike this weekend, want to come together?"), they would immediately cut it off, again telling me they are not attracted to me, or agreeing with a warning that they will only come as a friend, and I should not expect anything romantic, ever.
It feels like there is something about me that puts them off, and I don't know what it is. I suspected that perhaps I somehow set up some expectations about myself during these conversations prior to the meeting that I later do not live up to, but I can't imagine what that could be. I also thought that perhaps the issue is that things start off too fast, too energetic, like a fire that blows itself out, so I tried taking things slower, sometimes even gently slowing down the other person during these initial conversations, so we don't subconsciously overbuild expectations prior to meeting. Unfortunately, these attempts didn't change the outcome at all. As far as appearances go, I have a social profile with some pictures, a video or two, so there shouldn't be any surprises either. My family and friends say that I have great social interaction skills, and no one ever pointed out anything off-putting about my body language, personal hygiene, dressing skills or anything else that I can think of.
Now, this would not be an issue if it happened once or twice, but this scenario I described, with small variations, has been a pattern for the past 12 years or so. Every single interaction/date I had, ended up like this, without a single happy exception. And the number of them I had is approaching a hundred (this is an actually calculated estimate). Every single woman I went out with, told me she is not attracted to me in one way or another - either by explicitly saying so, or by showing a complete lack of interest in conversing further or going out again. And no matter in what form I tried to get feedback, some explanation on WHY they don't find me attractive, not a single one ever offered me any answer. They are at awe of the emotional and intellectual connection, but physically, they say they don't feel anything towards me at all, and refuse to elaborate.
I am fully aware that they do not owe me an answer. I am not entitled to be liked, to be attracted to, or to be explained why that is not the case. I respect these boundaries, and never push the other person, don't interrogate them. But it seems to me that such a small courtesy is something that should come naturally when one asks for it. I also understand that some people simply cannot explain these things, as their attractions or lack of are a mystery to them as well, and therefore they use these generalized terms like "chemistry". However, I have been in a reverse role situation some times as well, where I didn't find a woman attractive, and she wanted to know why. I had absolutely no problem in telling her, explaining it to the detail that she wanted. Of course, trying not to be hurtful, but most importantly - as sincere as I can, having a great deal of respect for her wish to know, rather than to live in blissful ignorance. I have a deep admiration for people who choose to accept reality at a face value, even when it's harsh and unfair, and that is also the kind of a person I try to be. She thanked me for it, and we didn't make a big deal out of it. It was so simple, easy and nice for both that I really wish this was the norm. This happened maybe 4 or 5 times in total in my life.
Therefore it is difficult for me to understand why not a single person I ever went out with, could offer me this small courtesy. I understand that they might have bad experiences of similar situations in the past, where some other guy would freak out upon hearing the reason, start blaming or shaming them, etc. But I have never done that, and made it very clear that I am not like that at all. I simply want to know the underlying reason, even if it something typically offensive ("your teeth are crooked", "your face looks old", "you smell bad", "you are too skinny/fat", "you laugh weird", "your body language makes you look insecure", etc.). I would much rather hear something like this, even if it was something I can't control or change, rather than hearing these generalized "chemistry" or "attraction" comments.
In my life, when I approach a seemingly unsolvable problem or something that is out of my control, I battle it regardless. If I have to choose between solving a problem or changing my thinking that makes it less of a problem, I will always first try and solve it. Though there were times when this was the wrong approach, most of the time this trait helped me achieve things that other people thought I could never do, to push myself beyond the limit and overcome many hardships, both external and internal, and become a better person. Often there were times when I eventually realized that the problem is indeed unsolvable, but I found solace in the fact that I gave it my best try, and there was nothing more I could have done. I can make my peace with that. What I can't make peace with, is not knowing what the problem is, especially when it stands between me and one of the most important goals in my life right now - finding someone I can connect with, who could one day become my partner. I live a purposeful, fulfilling and interesting life, but not having someone to share it with in a deep and intimate way, makes me feel profoundly sad, filled with constant heartache and incredibly lonely. After 12 years of being turned down again, again and again, it takes a tremendous effort not to allow these feelings to develop into serious personal issues and snowball out of control.
This not knowing is slowly killing me. Throughout these years, I kept asking myself "why", "what the hell is wrong with me". I tried figuring it out myself, and failed. It is like trying to see what's written on your forehead without a mirror. In this case, other people are that mirror. Failing to get this essential feedback from women I went out with, I tried talking with my family, my friends, hoping at least they would be honest enough to tell me, rather than being nice by protecting me from what they likely consider too harsh a truth. They didn't tell me either. My mom says I am "the most handsome boy ever" (I should mention at this point that I have the luck of having great parents, both very loving and close to me to this day). Friends come to me for advice on how be as confident as me and how to talk to girls (ironically, my advice often did them wonders). If I ask my female friends, they say that I am the perfect man and that "any girl would be lucky to have you", yet if I jokingly tease them about going out together, they act as if I'm the last person on this Earth they would ever go out with. I don't blame my friends, reminding myself that it is likely they simply don't know the answer either, but it still feels infuriating - being told that you are perfect, yet somehow no one wants you. It's like being kept in a protective bubble from the harsh realities of the world... Like Truman under his dome.
I had some relationships long time ago - and the most painful thing is, that even the girls who loved me, all confessed that they fell in love with my personality, and never really felt any physical attraction to me. They never told me the reason either. I probably don't need to tell you what it feels like to hear this from a person you love, and not as some breakup f-you, but in the middle of a happy, fulfilling relationship. Perhaps I should also mention that the reason for the eventual break-ups were incompatible life goals, cheating (on their part), and some personal issues and insecurities that I had at that time. Apart from these relationships, never in my life had a I ever had a moment of catching a woman looking at me or initiating a conversation - and if I don't initiate it myself, it feels like I am invisible to them.
At some point, I tried to make peace with the thought that I'll never know the reason for this lack of attraction, and simply stop focusing on it. I thought that perhaps my anxiety about this is the reason itself, that maybe I am carrying it into these dates I go on (self-fulfilling prophecy). I tried to offload it off my back, stop guessing, and instead be the person I want to be, improve myself in general. Spent more time doing things I love, started working out and got in good shape, improved my personal hygiene, focused on taking care of myself in general, but more importantly - taking care of people I love, spending less time worrying and more time doing good for the others, trying to live a life with a purpose, giving more to others than I expect of them.
I also tried shifting my focus from dating at all, thinking that maybe I am simply trying too hard, especially during these dates, and if I focus on other goals in life, I will simply find the person I am looking for along the way (spoiler alert: that didn't happen either). At some point I discovered doctor K's content, which I took very seriously, and it helped me recognize many things about myself, free myself out of the many pitfalls that I didn't even know were even there, work and eventually fix my insecurities, set my life in better order, and continue to improve myself as well as help others.
For the last 5 years or so, I did this, and it helped me immensely, I feel much better about myself and the things I do in life. I feel grounded, with a direction, purpose and motivation. However, it did not make the slightest difference in how women see me. No matter what I do, while women claim to be amazed by my personality, they wouldn't touch me a mile-long stick. And I still don't know if it is something in my appearance, in my body language, in my behavior, or hell knows what. I honestly haven't got the slightest clue. Every time I get turned down like this, I have to pick up my confidence from pieces and put it back together again. And each time, it becomes more and more difficult.
After the number of times this had happened, you could be asking me how the hell I still haven't given up. Like I said, I am stubborn, but this doesn't help me in the slightest, because I am clearly missing something that should be obvious to me. It feels like I'm redlining the engine, but some tiny gear is missing and the car is not moving an inch. It must be right in front of my eyes, but I just don't see it.
It is very difficult for me not to be envious of other guys who get so much attention from women with zero effort, who simply being in the room turn every woman's eyes towards them. In the meantime, women don't even notice me, and if I chat anyone up, even all that personality they so praise is not enough to get anyone romantically or sexually interested in me. And those who I engage with online, completely lose romantic interest as soon as they meet me in person despite seemingly enjoying that interaction in every other way possible. It's like I have 10 points on charisma and 0 in appearance, though my friends and family keep telling me otherwise. I am tired of having to carry my romantic interactions with women on charisma alone. I don't want or need to become some eye-turner mega chad, - but just one fair chance. At least one person who would genuinely find me attractive as I am, without me having to make a herculean effort with my social skills just to get her eyes fill with "wow".
Now, I am not asking you what that issue is. I know it is likely impossible to tell without meeting me, despite all this long story I wrote (sorry, no TLDR). I am simply asking, how do I figure this out? How do I get that feedback, how do I find out why every single woman I ever go out with feels no attraction or chemistry with me? I spent 12 years thinking about this, guessing at it, trying changing pretty much every variable I could think of, trying every possible respectful form of asking for this feedback from others, but in the end, I still don't know, and it feels like everyone is afraid of telling me, because they'd hurt my feelings or something. Whatever that thing is, not knowing it hurts a thousand times more. I am tired and emotionally exhausted of guessing and shooting in the dark. All I want is for someone to give it to me straight without any sugar-coating, no matter how cruel and inhumane saying such a thing might seem to them, so I can finally start fixing it, or at least have some closure in knowing what it was all along.
​
Thank you to everyone who made it to the end. I revised this text like 30 times now trying to ensure that I didn't miss any potentially crucial detail. I suspect this post will get drowned out by many other, shorter and more approachable posts, and I also know it would be easy to skimp through this text, focus on just some points of it and inadvertently suggest something that I already tried, so I thank you extra it if you chose to read it thoroughly. It is probably unrealistic to expect doctor K's comment with such a long post, but if anyone has any input, I would love to hear it.

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# Today In Phishstory - June 9th Brought to you by tiph-bot. Beep.
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Phish

Phish, Tuesday 06/09/2009 (14 years ago) Asheville Civic Center, Asheville, NC, USA
Gap Chart, Tour: 2009 Early Summer Tour
Set 1 : Kill Devil Falls , The Moma Dance , Sample in a Jar , Stash , Dog Faced Boy , Gumbo , Tube , Lengthwise , Divided Sky , When the Cactus is in Bloom ¹ , Bold As Love
Set 2 : Backwards Down the Number Line > Ghost > Fast Enough for You , Halley's Comet > Maze , Alaska ¹ , Theme From the Bottom , Golgi Apparatus , Possum
Encore : Loving Cup
1 Phish debut.
Jamchart Notes:
Backwards Down the Number Line - "Type I" version with great strumming by Trey and a short outro jam that > to "Ghost."
Show Notes:
This show featured the Phish debuts of When the Cactus is in Bloom and Alaska. Before Dog Faced Boy, Trey explained that while living with Fish, he wrote Dog Faced Boy, Tube and Gumbo based on entries in one of Fish's journals. During Dog Faced Boy, Fish left his drum kit and lay down in front of the stage because he didn't need to sing the song. Lengthwise (performed a cappella ) was played for the first time since July 28, 1998 (233 shows). Bold as Love was played for the first time since October 6, 2000 (74 shows).
Listen now at Phish.in!
Phish, Friday 06/09/2000 (23 years ago) On Air East, Shibuya-ku, Tokyo, , Japan
Gap Chart, Tour: 2000 Summer Japan Tour
Set 1 : Axilla > Taste , Billy Breathes , Poor Heart > Golgi Apparatus > Funky Bitch , The Moma Dance > First Tube > Chalk Dust Torture
Set 2 : Tweezer , Bouncing Around the Room ¹ , The Mango Song , The Squirming Coil > Gotta Jibboo > Meatstick ² > Tweezer Reprise
Encore : You Enjoy Myself
1 Brief outro solo from Trey, which replaced the usual closing guitar lick. 2 First Meatstick to feature Japanese lyrics.
Jamchart Notes:
Funky Bitch - Atypically improvisational must-hear monster.
Chalk Dust Torture - Winning fans in Japan. This huge first-set-closing version raises hell and ends, but then there's a second ending that concludes cacophonously.
Tweezer - Atypically slow but monstrously improvisational version that has several peaks and valleys before speeding-up and concluding in a melodic, triumphant, must-fucking-hear manner.
The Mango Song - Ending jam segment stretches the limits of the basic jam with some nice rhythmic variation, but still stays "in bounds."
You Enjoy Myself - Deeeep, funky jam/groove, and the return of the B&D; segment!
Show Notes:
The Moma Dance included Funky Bitch teases and Tweezer included Funk #49 teases. This was the first ever Meatstick to feature Japanese lyrics and Trey flubbed the words while attempting to sing them. Bouncing included a brief outro solo from Trey, which replaced the usual closing guitar lick. This show was re- broadcast on Japanese television.
Listen now at Phish.in!
Phish, Friday 06/09/1995 (28 years ago) Red Rocks Amphitheatre, Morrison, CO, USA
Gap Chart, Tour: 1995 Summer Tour
Set 1 : My Friend, My Friend , Divided Sky , Strange Design > The Oh Kee Pa Ceremony > AC/DC Bag > Theme From the Bottom , Taste , Sparkle > Run Like an Antelope
Set 2 : Split Open and Melt , The Wedge , Scent of a Mule , Cavern > David Bowie , Acoustic Army , Sweet Adeline , Slave to the Traffic Light
Encore : The Squirming Coil
Jamchart Notes:
Run Like an Antelope - Unusual jam. Sort of off-key. Sort of evil. Dissonant and anti-melodic. No real peak; it just fades into "Rocco."
Split Open and Melt - Improvisational playing in several sections tests the rhythmic and melodic standards for "SOAM" in this solid version.
Show Notes:
Part of the soundcheck's jam consisted of 25 or 6 to 4.
Listen now at Phish.in!
Phish, Thursday 06/09/1994 (29 years ago) Triad Amphitheater, Salt Lake City, UT, USA
Gap Chart, Tour: 1994 Summer Tour
Set 1 : Llama , Guelah Papyrus , Rift , Down with Disease > It's Ice > If I Could > Maze , Fee ¹ , Suzy Greenberg
Set 2 : Split Open and Melt , Glide > Julius , Halley's Comet -> Scent of a Mule , Ginseng Sullivan ² , Mike's Song > I Am Hydrogen > Weekapaug Groove , Golgi Apparatus
Encore : Highway to Hell
1 Trey sang verses through megaphone. 2 Acoustic and without microphones. Fish on Madonna washboard.
Jamchart Notes:
It's Ice - Good rocking jam with excellent Fish and solid Trey (of course Page is great).
Mike's Song - The 1st jam is rocking and ass kicking, with a clever little "Tweeprise"-like walk up. The 2nd jam is basically a non-vocal version of something very "Simple"-like. Just listen and you'll hear it. The return to "Mike's" has more crazed '94 scream-infused power action.
Show Notes:
Trey sang the verses of Fee through a megaphone. Ginseng Sullivan was performed acoustic without microphones and featured Fish on Madonna washboard.
Listen now at Phish.in!
Phish, Saturday 06/09/1990 (33 years ago) The Wetlands Preserve, New York, NY, USA
Gap Chart, Tour: 1990 Tour
Set 1 : Possum , Lawn Boy > Reba , Dinner and a Movie > Bouncing Around the Room > Tweezer , Uncle Pen > Mike's Song > I Am Hydrogen > Weekapaug Groove
Set 2 : Whole Lotta Love Jam > Harry Hood , The Man Who Stepped Into Yesterday > Avenu Malkenu > La Grange , Fee -> Foam , The Oh Kee Pa Ceremony > Suzy Greenberg > Run Like an Antelope , Hold Your Head Up > Terrapin > Hold Your Head Up , Harpua , Good Times Bad Times
Encore : Take the 'A' Train > Contact
Jamchart Notes:
Foam - -> in from "Fee." Groovy and excellent Page section with solid backing from Mike and Fish. It's all good from there.
Run Like an Antelope - Good exploratory version that gets nicely beyond the standard. Great tension, dissonance and experimental jamming.
Show Notes:
Harpua included Funkytown teases and 'A' Train contained a Dixie tease from Trey. The band launched into the second set-opening Whole Lotta Love Jam as the DJ had been spinning the original Zeppelin version. The opening act was The Aquarium Rescue Unit.
Listen now at Phish.in!

Trey Anastasio

Trey Anastasio Trio, 2023-06-09 Mission Ballroom, Denver, CO, USA
Setlist: https://phish.net/setlists/trey-anastasio-trio-june-09-2023-mission-ballroom-denver-co-usa.html
Tour: Not Part of a Tour
Show Notes:
Trey Anastasio Band, 2006-06-09 Verizon Wireless Amphitheatre - Charlotte, Charlotte, NC, USA
Setlist: https://phish.net/setlists/trey-anastasio-june-09-2006-verizon-wireless-amphitheatre-charlotte-charlotte-nc-usa.html
Tour: TAB - Early Summer 2006 Tour
Show Notes: This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.
Trey Anastasio Band, 2002-06-09 Tower City Amphitheatre, Cleveland, OH, USA
Setlist: https://phish.net/setlists/trey-anastasio-june-09-2002-tower-city-amphitheatre-cleveland-oh-usa.html
Tour: TAB - The Dectet Summer 2002 Tour
Show Notes: The rendition of "Plasma" from this gig appears on Trey's live CD of the same name. Trey performed "Ray Dawn Balloon" acoustic.

Mike Gordon

Mike Gordon, 2015-06-09 The Pageant, St. Louis, MO, USA
Setlist: https://phish.net/setlists/mike-gordon-june-09-2015-the-pageant-st-louis-mo-usa.html
Tour: Mike Gordon - Summer 2015 Tour
Show Notes:

John Fishman

Jazz Mandolin Project, 2004-06-09 32 Bleu, Colorado Springs, CO, USA
Setlist: https://phish.net/setlists/jon-fishman-june-09-2004-32-bleu-colorado-springs-co-usa.html
Tour: Fish - Jazz Mandolin Project Summer 2004 Tour
Show Notes:

Page McConnell

Page McConnell, 2007-06-09 Bogart's, Cincinnati, OH, USA
Setlist: https://phish.net/setlists/page-mcconnell-june-09-2007-bogarts-cincinnati-oh-usa.html
Tour: Page McConnell Spring & Summer 2007 Tour
Show Notes: This setlist is unconfirmed as recordings of the show do not circulate.

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Welcome back to the Popheads Jukebox! Here are last week’s results:

• Käärijä - Cha Cha Cha: 8.74
• Kylie Minogue - Padam Padam: 8.53
• Bad Bunny - WHERE SHE GOES: 8.00
• Zara Larsson - End of Time: 7.73
• Conan Gray - Never Ending Song: 6.50

• The Pussycat Dolls - When I Grow Up: 8.95
• MARINA - Venus Fly Trap: 7.42

It’s a strong week for the 2023 tracks, with three of them scoring above an 8 average. At the front of the pack is Finland’s 2023 Eurovision entry Käärijä - Cha Cha Cha. It outscores its real life competition by a sizable margin (Loreen only managed a 5.90 in her Jukebox showing). Following closely behind is another repeating title with Kylie’s Padam Padam. Bad Bunny also manages to score an 8 with WHERE SHE GOES, though breaks the repetition streak. Though placing 4th overall, Zara Larsson still manages to get a solid 7 range score for her Ending song, while Popheads was a bit less favourable to Conan Gray for his Never Ending song. For our throwbacks, The Pussycat Dolls never listed ‘be the highest track of the week in the Popheads Jukebox’ in their future aspirations, but they manage it regardless. And though MARINA scores quite a bit lower she still snags a solid 7 score.

Rules Refresher

1. Rate the songs a score from 1 to 10. Please keep it to one decimal place at the most (so 7.5 is fine but 7.58 is not). Also don’t get too hung up on the final scores. This is a fun exercise and not a competition so don’t worry about oveunder rating things. Just give what you think the song is to you.
   
2. For your review, reply to the comment that will be posted by one of us for each song. Avoid posting your reviews as a top level comment cause we probably won’t notice them if you do. Non-reviews such as questions or general commentary as upper level comments are fine.
   
3. Must have some sort of justification. Try to be a bit more concise than “It’s a bop!” or “I don’t like it”. Explain why! It doesn’t have to be long, two or three sentences can be plenty (though more is definitely allowed). We reserve the right not to include a review in the final total if proper justification is not given.
   
4. You don’t have to review each song to participate! You can do all of them or only the ones you’re familiar with.
   
5. The thread will be open for 6 days and close the following Wednesday at 9PM EST. The scores will be calculated and a new post will come up the next day (Thursday) at 5PM EST with the next week’s tracks.
   

This Week’s Tracks

• Beyoncé - America Has A Problem (feat. Kendrick Lamar)
• (G)I-DLE - Queencard
• Dua Lipa - Dance The Night
• Taylor Swift - Karma (feat. Ice Spice)
• Tove Lo - I like u

Throwback:

• Lorde - Royals

2020/2021 Catch-up:

• Chloe X Halle - Ungodly Hour

—

Next Week

Next week we’ll be rating the following:

• Chappell Roan - Red Wine Supernova
• Dom Dolla - Eat Your Man (with Nelly Furtado)
• Dorian Electra - Sodom & Gomorrah
• Madison Beer - Home to Another One
• The Aces - I’ve Loved You For So Long

Throwback:

• OneRepublic - Counting Stars

2020/2021 Catch-up:

• Billie Eilish - Lost Cause

Spotify playlist, updated weekly with new tracks that are being rated

Jukebox wiki, where you can find all results

Reminder Discord Server, where you can join to get bi-weekly ping reminders for when new posts go up and when they’re about to close.

Shipping should work out to around 6$ for most USA locations, flat rate to Canada (around 8$)
Condition is Record/ Jacket, EX=excellent (a touch under near mint, maybe a few light creases/hairlines, plays flawlessly) Happy to answer any inquiries or send pictures, just send me a message.
New & Sealed
Atheist – Unquestionable Presence (2019 France, Limited Edition /350 Red Transparent Vinyl, Season Of Mist SOM 278LP) Comes with regular outer sleeve with Hype Sticker, never played: 80$
Black Pumas ‎– Black Pumas (2021 USA, Limited Edition Clear with Red Smoke) Sealed: 30$
Calling All Captains – Slowly Getting Better (2021, Limited Edition /400, Clea Green Translucent Split, New Damage Records NDRV075) Sealed: 25$
Counting Crows ‎– Butter Miracle Suite One (2021, 12” EP, BMG 538670411) Sealed: 12$
Muse ‎– Black Holes And Revelations (Europe Reissue, Warner Records 0825646350919) Sealed: 28$
Our Lady Peace ‎– Happiness... Is Not A Fish That You Can Catch (2020 Limited Edition Smoke Vinyl, Columbia 88985445601) Sealed: 35$
Pink Floyd – Atom Heart Mother (2016 USA, 180g Remastered, Pink Floyd Records PFRLP5) Sealed: 30$
Soundgarden – Badmotorfinger (2016 USA, A&M Records B0025674-01) Sealed: 30$
​
Rock
10cc ‎– Look Hear? (1980, Mercury SRM-1-3838) NM/EX: 6$
Balance ‎– Balance (1981, Portrait FR 37357) VG+/VG+: 5$
Big Country ‎– Steeltown (1984, Vertigo VOG 1 3343) EX/VG+: 5$
Billy Idol ‎– Whiplash Smile (1986, Chrysalis CHX 41514) VG+/EX: 10$
The Boomtown Rats ‎– In The Long Grass (1984, Vertigo VOG 1 3346) VG+/VG+: 7$
Brutal Knights ‎– Living By Yourself (2008, 12” 45 RPM, Gatefold, Deranged Records DY115) NM/NM: 5$
Chris de Burgh ‎– Spanish Train And Other Stories (1975, A&M SP-4568) VG/VG: 5$
Foreigner ‎– Reaction To Action (1984, 12” Atlantic 78 68800) VG+/EX: 5$
Ian Anderson ‎– Walk Into Light (1983, Chrysalis CHS 41443) VG+/G+: 5$
Jethro Tull ‎– Living In The Past (1972, Harcover 2x LP, Chrysalis 2CH 1035) VG+/VG+: 10$
Kayak ‎– Phantom Of The Night (1978, GRT 9098-7039) EX/VG+: 8$
Lighthouse ‎– Thoughts Of Movin' On (1971, Gatefold, GRT 9230-1010) VG+/VG+: 5$
Mick Jagger ‎– Primitive Cool (1987, Columbia OC 40919) NM/NM: 5$
The Moody Blues ‎– Seventh Sojourn (Gatefold, Threshold THS 7) VG+/VG+: 5$
The Moody Blues ‎– Long Distance Voyager (1981, Gatefold, Threshold TRL-1-2901) EX/EX: 5$
Network ‎– Network (1977, Epic PE 34979) EX/VG: 5$
The Doobie Brothers ‎– What Were Once Vices Are Now Habits (1974, Warner Bros. Records W 2750) VG/G+: 5$
Stevie Ray Vaughan And Double Trouble ‎– Couldn't Stand The Weather (1984, Epic FE 39304) VG+/VG: 25$
Tony Banks – A Curious Feeling (1979, Polydor CA-1-2207) VG+/VG+: 8$
Trillion ‎– Trillion (1978, Epic PE 35460) EX/VG : 5$
​
Classical (Take 35% off this list if you buy more than one)
Bach ; ‎ I Musici– Concert In A Minor / Concerto In D Minor / Brandenburg Concerto No. 3 (1963, Mono, Philips PHM 500-008) VG+/NM: 2$
Bach, Brahms. Sibelius – Brandenburg Concerto No. 2 In F / Brandenburg Concerto No. 3 In G / Hungarian Dances / Finlandia (Music Treasures Of The World MT 19) NM/Generic: 5$
Beethoven ‎– From The Private Collection Of Don Gabor, The Musical Life Of Ludwig Van Beethoven (Remington Musirama RE-33-1361) VG+/VG: 5$
Beethoven, The Chicago Symphony Orchestra, Vladimir Horowitz – Beethoven’s Greatest Hits Volume 1 (1971, RCA Red Seal LSC-5010) EX/EX: 4$
Beethoven - Wilhelm Kempff ‎– Sonaten - Pathétique · Mondschein - Moonlight · Appassionata (Germany, Deutsche Grammophon 139 300) EX/EX: 5$
Christoph Eschenbach / Béla Bartók ‎– Werke Von Béla Bartók (Germany import, Telefunken SMT 1265) VG+/VG+: 5$
Haydn, Max Goberman, Vienna State Opera Orchestra ‎– The Symphonies Of Haydn Vol. 4: Symphony No. 9 In C, Symphony No. 10 In D, Symphony No. 11 In E-Flat (1967 USA, Odyssey 32-16-0081) VG+/VG+: 2$
Herbert von Karajan, Berlin Philharmonic ‎– Rossini - Smetana - Ravel – Sibelius (1978, Deutsche Grammophon 2545 049) VG/G+: 8$
J. Sibelius - Eesti NSV Riiklik Sümfooniaorkester, Peeter Lilje ‎– Symphony No. 1 (1987 USSR, Мелодия С10 24897 006) EX/G+: 15$
Jean-Christian Michel, Quatuor Avec Orgue – Requiem (France Issue, Riviera 521 029) EX/EX : 8$
Johann Strauss, Jr. - Oslo Philharmonic Orchestra, Øivin Fjeldstad ‎– Waltzes (RCA Camden CAS 623) VG/VG+: 2$
Johann Strauss, Jr. - Ferenc Fricsay, Berlin Radio Symphony Orchestra ‎– Emperor Waltz (Deutsche Grammophon Resonance 2535 134) VG+/VG+: 2$
Karajan – Karajan In Rehearsal = Karajan En Répétition (1968 German Issue, Deutsche Grammophon 643 201) EX/EX: 5$
Liszt, Jean Costa – Oeuvres Pour Orgue (France, Musidisc 30 RC 702) VG+/P : 20$
The Manhattan Pops Orchestra – The Pride & Passion – Italy (1965 USA, Time Records S/2185) VG+/VG+: 2$
Marilyn Horne, Henry Lewis – Arias From French Operas (1968, London Records Of Canada Ltd. OS 26064) VG+/VG+: 4$
Mussorgsky, Chicago Symphony ‎– Pictures At An Exhibition = Bilder Einer Ausstellung (1981 German Issue, Deutsche Grammophon 2531 354) NM/VG+: 5$
Peter Frankl ‎– Recital Schumann (1981 Reissue, Accord 30 RC 875) VG/VG: 2$
Ravel - Charles Dutoit / Orchestre Symphonique De Montréal ‎– Bolero - La Valse - Rapsodie Espagnole - Alborada Del Gracioso (1982, London Records LDR 71059) NM/EX : 2$
The Red Army Ensemble, Colonel Boris Alexandrov ‎– The Red Army Ensemble (Vox Productions STPL 515.070) VG+/VG+: 2$
Rimsky-Korsakov ‎– Scheherazade (USA, Music Treasures Of The World MT 18) VG+/Generic: 2$
Tchaikovsky, Kenneth Alwyn, The London Symphony Orchestra ‎– 1812 Overture · Capriccio Italien · Marche Slave (1959 UK for Sales in USA, London Records CS 6038) VG+/EX: 8$
Tchaikovsky, Vienna Symphony Orchestra, Michael Gielen ‎– 1812 Overture “Serenade for Strings” (1976 USA, Everest SDBR 3394) VG+/VG+: 8$
Tchaikovsky - D. Oistrakh, USSR State Symphony Orchestra, K. Kondrashin ‎– Concerto For Violin And Orchestra In D Major, Op. 35 (USSR, Mono, Mezhdunarodnaya Kniga НД 03820(а)) VG+/Generic: 25$
Sir William Walton / Dame Edith Sitwell / Vera Zorina / Jacques Ibert / The Philadelphia Orchestra / Eugene Ormandy – Façade / Divertissement (1963, Columbia Masterworks ML 5849) NM/VG+: 4$

Synopsis:

In the realms of Skysea, where destinies are moulded by the pantheon, one young man defies the established order.
Denied Aether on his Adulthood ceremony, Zaire was dragged by cruel whims of fate to somehow awaken Emerald Aether, setting him on the path of a Mage.
But his awakening hardly had anything to do with the pantheon. Deeper secrets reside within him and in the System. Why was he exiled to the backwater village? What did those recurring nightmares and visions entail? And what's with the cursed dagger?
Zaire will search for the answers to them all, but before that, he must master his power. Great evil lurks near his village.

​
Next
Carmel Village, Spring, 3617 years of the System
As the morning of System Inauguration Day dawned, countless individuals awakened with hopes and dreams for what the future held for them. Sadly, Zaire was of a completely different sentiment.
He had risen before the break of dawn, and went through all the rigorous training his mother demanded, and now, found himself on the receiving end of her ruthless thrashing in the spar.
"Move with purpose," Ella barked, her blade poised for the next strike. "I didn't teach you to be sloppy."
His limbs ached from all the exhaustive exercises, leaving him far from his peak during their spar. Not that it would have made a difference—Ella was in a particularly foul mood this morning.
Gritting his teeth, Zaire shifted into a defensive stance, though he didn’t see its purpose with Ella being... Ella. With narrowed eyes, he observed her approach. Despite her tall and heavy stature, she was light on her feet. Her training rod, held high, swung mercilessly towards Zaire in a threatening arc. He managed to block the first strike, but struggled to parry the following ones, barely delaying her advances.
There was no room for him to push forward. Zaire found himself constantly on the defensive, forced to withdraw under the unrelenting onslaught. Each contact between their weapons sent electric spasms through his arms, intensifying the ache.
"No," Ella yelled, her voice piercing the air. Unsatisfied. "I'm not seeing it yet. You are better than this."
Those words struck a nerve within Zaire, prompting him to shift his weight onto his front foot and mount a more committed front. His moves lacked refinement compared to hers, but he put more force behind them, although he knew it would hardly make a difference against a Retired Knight who was well over 200 levels.
But Ella would be more content seeing him trying to get a hit.
"That's more like it," Ella remarked, parrying his attack, a hint of satisfaction in her smile.
They continued sparring for another two minutes, leaving Zaire utterly spent and sprawled on the ground. At that moment, he couldn't help but wish that someone else had adopted him, someone who wouldn't subject him to such gruelling training sessions every morning.
She seriously needed a man in her life, Zaire thought.
"Clean the weapons and tools and you'll have your day," Ella instructed, placing the duelling cane among the rest of the equipment.
Zaire responded with nothing more than a grunt.
"I'll go check on your sister," Ella continued. "Hopefully, she's finished preparing the meal, so we can go to the temple for her awakening."
Zaire remained on the ground, still catching his breath from the exertion his mother had put him through.
Today marked System Inauguration Day, an event where individuals who had reached the age of sixteen would awaken their Aether and embark on the path the gods set for them.
A year ago, Ella was adamant about moulding Zaire into a Knight like herself, despite his fervent aspirations to pursue the path of a Mage. While he displayed considerable skill in swordsmanship and other weapons, Zaire's true passion had always been spellcraft.
He had tirelessly studied spell models and diagrams, fearing that the gods might mistake his talent for swordsmanship and force him into becoming a Knight Squire, as his mother had always desired. Zaire had invested double the effort in learning the spell models than in honing his swordsmanship skills, but it seemed the gods were merciless in their choices.
On his Age day last year, Zaire's dreams of becoming a Mage remained unfulfilled. Matter of fact, he hadn't awakened any Route at all. Completely no reaction from the Aethers.
Even the most humble and unfledged youths of the village had awakened as Woodcutters, Farmers, or Merchants, but Zaire was left without any designation.
The gods had deemed him Routeless. A Faithless Cur.
If only they would grant me another opportunity, Zaire thought, clenching his jaws in frustration. However, he couldn't be certain that it would make any difference. They had attempted various other methods, infusing him with different types of Aether, but most only resulted in agonising concussions and rendered him unconscious.
"Stop gazing at nothing with that long face," a feminine voice broke him through his contemplation abruptly.
Startled, Zaire found himself face to face with Faye, clad in a simple white gown, ready for the Awakening Event. The siblings were strikingly dissimilar in appearance. Faye stood with a full head shorter than him, her features set her apart from the villagers. Her hair was of burning silver, cascading over her shoulders, in contrast to their foster mother Ella’s blonde and his black.
Had it not been for Ella's integrity, Zaire would have suspected that the retired knight had stolen Faye from a noble house. Yet, he was even more perplexed by the implications of her unique features.
It was very likely that Faye was blessed by the Aether. Her pearl eyes and silvery hair were hints of that. He couldn’t think of them as just a coincidence.
His frustration grew with those thoughts.
"If I'm not mistaken, Mum asked you to hone all the weapons and clean everything else," Faye reminded him, breaking the silence. "You're going to get an earful for that."
Zaire grunted as he rose from his seat and made his way to the toolbox. His fingers deftly manoeuvred a knife against the grinding stone, the metallic scraping sound filling the air. Faye lingered in the yard.
"Aren't you missing something?" she asked, eyebrows raised.
Pausing his grinding, Zaire lifted his gaze to meet hers. Clueless
"Aren’t you going to wish me luck?"
"I don't think you'll need any luck from me," he replied with a sigh. "But for what it's worth, I wish you good fortune, Pumpkin. Hopefully, you'll awaken a formidable Route, and Mum will stop nagging about training me to become your Knight."
Ella had expressed her desire for Zaire to become Faye's Knight since she had adopted them. However, Zaire wasn’t so sure about her requiring protection. As far as he was concerned, it was the others who needed protection from her.
Faye arched an eyebrow, looking at all the items scattered around him. All this could take over an hour to finish easily. "I understand that this is difficult for you, but I hope you'll be there during the ceremony."
"What are you talking about?" Zaire responded, his smile beaming brightly. "There's no way I would miss this occasion."
He made sure his words carried genuine excitement and support, assuring her.
Faye beamed as she excitedly returned to the house to prepare for the ceremony. Zaire couldn't help but release a sigh and refocused his attention on his sharpening task.
A few minutes later, Faye emerged from the house along with their mother. She informed Zaire that they expected him to join them in the temple. Knowing that the ceremony would last for a couple of hours, Zaire was confident he would be able to complete his work and catch up with them in due time.
Zaire hastened his grinding pace, swiftly honing the blades one after another. Fatigue began to take its toll, and his arms throbbed. In his haste, the sharp edge of the blade sliced through Zaire's index finger.
“Damnation,” Zaire cursed, jolting his finger, causing crimson blood to splatter across all weapons and tools that surrounded him.
It had already been over half an hour since Faye had departed for the ceremony, and he still had a few daggers left to sharpen. If he were to tend to the cut properly, he definitely would be delayed. Exhaling, Zaire gave a couple of minutes for the blood to stop flowing out and clutched the next weapon in line—a worn dagger with a hilt that had seen better days.
Prepared to resume his grinding, Zaire steadied the dagger against the sharpening stone, this time putting pressure with his palm instead of fingers.
However, to his astonishment, the moment his fingers made contact, the blade began disintegrating into a swirling cloud of black smoke.
“What in the world!” Zaire broke into a fit of uncontrollable coughs as the thick smoke enveloped him, obscuring his vision. Within moments, the smoke dissipated, leaving behind nothing but empty air.
The dagger had vanished, dissipating into thin air as if it had never existed.
Zaire stood frozen in disbelief, his gaze fixated on his empty hands where the weapon should have been. He blinked repeatedly, hoping to get a hint to explain the inexplicable turn of events. He had spent years cleaning and sharpening tools, but he had never encountered anything remotely similar to this disconcerting phenomenon.
"I hope Mum will understand," Zaire muttered to himself, a sense of relief washing over him as he realised that the vanished dagger was not one of the cherished weapons.
After completing his errands, Zaire swiftly changed into a more presentable tunic, eager to make his way towards the temple.
Carmel Village, situated on the very fringe of the empire, could easily be labelled as a secluded backwater village. Despite its remote location, it possessed an old temple devoted to Goddess Solas. Solas, one of the twelve prominent deities of the Skysea, the Mistress of Union and Harmony. The folks of Carmel were pretty diverse in their faith, but it didn’t stop them to crowd over the old temple on occasions such as this.
Nestled amidst a serene expanse of wheat fields, the temple stood as a weathered and unpretentious chapel that seemed to have withstood the test of time. Clearly failing to reflect the true grandeur and influence associated with the primordial goddess.
Time had taken its toll on the temple, evident with the stonewalls bearing marks of weathering. A similar, if not more, withered stone arches led his path to the sanctuary where people crowded over, clamouring. As Zaire crossed the arches, a modest statue at the heart of the plaza came into his sight. One simply couldn’t assume that to be a statue of the goddess without context, considering it was challenging to determine whether the statue depicted a male or female figure.
Zaire ventured inside, only to be met with a sea of people obstructing his path. The number of adults in attendance far surpassed the youths present for the ceremony. Zaire's eyes swiftly located the two women with their distinct blonde and silvery hair, positioned on one side of the gathering. To his surprise, it seemed that they had also noticed him, as Ella pointed him out to the young girl and waved her hand in his direction.
After a couple of good minutes of shoving and wrestling with the people, Zaire managed to reach them, but he was already breathless by that point. It appeared that Faye was patiently awaiting her turn, as the guest priest called individuals forward one by one to the Ascendant Pool in the other chamber.
Fortunately, the priest conducting the ceremony was not the same one who liked to blabber too much during Zaire's previous visit. Nevertheless, an unsettling restlessness settled in his stomach as he regarded others.
"Are you alright?" Ella asked, concern laced in her voice.
"I'm fine," he replied, "just a bit breathless from the sprint."
"It's good that you came," his foster mother interjected. "I understand this isn't easy for you, but you must realise there are other paths beyond what the gods set us for."
Zaire clenched and unclenched his jaw, choosing to remain silent as he settled himself in a corner, leaning against the wall. They had indeed explored other avenues, ones that diverged from paths the pantheons chose for them, but none had brought about any meaningful change within him, except subjecting him to excruciating agony.
Regardless, it was Faye's special day, and he couldn't make it all about himself. Taking a deep breath, he adopted a carefree expression and engaged in conversation with his family.
The newly appointed guest priest for the ceremony appeared to be a stern man. Observing the chaotic gathering in the hall, which was no better than a bustling fish market, he dismissed the families who had already completed their ceremonies. Even among those still present, he allowed only two relatives to accompany the youths of appropriate age.
In a matter of seconds, the hall grew more spacious as more than half the attendees dispersed.
"Now we'll have fewer people bothering Faye once she completes her ceremony," Zaire joked, playfully nudging the silver-haired would-be maiden on the shoulder.
Faye snorted in response. "What, you think I'd enjoy when boys pester me until Mum has to brandish her sword to scare them away?"
Faye glowered at him, but upon witnessing his laughter, she couldn't help but burst into giggles herself. Her nervousness about the ceremony subsided significantly.
Zaire scoffed, exclaiming, "What are you even worried about? You got this."
“It’s just that. . .” Faye's voice trailed off. She didn't need to finish her sentence because Zaire understood her fears all too well. She dreaded the possibility of her ceremony turning out exactly like his. Her unique traits made her more apprehensive than confident.
"You'll be fine," Zaire reassured her, gently patting her head. Being a head taller than her, it was effortless for him to make her feel small and comforted. But that’ll end soon. . .
In quick succession, people gradually cleared out, and within half an hour, the hall was nearly empty, with only three more families remaining for the ceremony.
"Oh, crap! I need to go," Zaire exclaimed abruptly, startling both Faye and their foster mother. "Nature calls." He provided a curt explanation for his sudden departure and hastily rushed out of the temple.
Zaire swiftly made his way out of the hall, the sparse number of people remaining making his way out easier. However, in his haste, he failed to consider the possibility of encountering folks just outside the door.
Zaire caught sight of locks of golden hair just before colliding with someone the moment he emerged from the door. It was a young girl who had just undergone her age ceremony and ended up falling alone from the impact.
Zaire stumbled, barely regaining his balance and scattered attention until he could finally discern who he had collided with.
"Diana," Zaire instinctively called out, stooping down to extend a helping hand. "I'm sorry, I didn't see you there."
"You shouldn't be running inside the temple," Diana said, raising her right arm to inspect the bruise on her elbow. Her eyes were teary.
"I’m really sorry," Zaire repeated, more genuinely.
"It's alright," Diana sighed, accepting his arm and allowing him to assist her in standing up. Her expression showed she was bothered by something else entirely other than the little bruise she got from the collision. It could be that she didn’t get the right class she desired.
If it weren’t for the urgency, Zaire would have stayed there for a few minutes to listen to her and reassure her. But the growing pressure in his bladder made it harder for him to be considerate.
Regardless, the situation didn’t conclude there as Zaire hoped, as he found a group of youths led by Alex, a blond youth who went through Ella’s for a few months.
There was no way in hell they could resist the urge to aid a damsel in distress. Granted, in this particular instance, the damsel was only mildly bruised, but you try to explain that to them.
"I wondered who else would have the audacity to act so impudently within the sacred temple," Alex interjected. The blond youth had undergone his ceremony last year, along with Zaire. "Of course, it had to be you, Zaire. Why are you even here? Hoping to partake in the awakening ceremony once again?"
Alex didn't miss the chance to strike where it hurt the most. However, his counterparts were one level above him.
"Fat chance of that," Kash, a short, mousey-looking black-haired boy of their age, chimed in. "Ignoring everything, his blatant behaviour in the goddess's temple alone shows that he's unsuited for the path."
"Kash, we're all aware of your lack of intelligence," Zaire retorted, more irritated than angry. "No need to open your mouth and prove it to us again."
The mousey-looking youth glared at Zaire before turning his attention to the others. "Did I say something wrong?" he barked. "You have no fibre of reverence for the goddess. Why do you think you're still lost and—"
Zaire stifled a yawn. "I have more important matters to attend to than engaging in a pointless argument with you lots,”
The persistent pressure in his bladder reminded him of the true urgency at hand. With an apologetic smile directed at the blonde maiden, he hurried away.
Tackling the argument, Zaire now faced another predicament he had no time to dwell upon. While the temple may have been humble and worn out, it still resided within the holy embrace of the goddess. How could he commit sacrilege by pissing in its vicinity?
However, the pressure continued to mount, leaving Zaire with no other option but to retreat to the rear of the sacred grounds. Discreetly, he found a secluded spot merely a few blocks away from the hallowed area.
To an outsider, it might still appear blasphemous, but he clung to hope that the goddess would be more understanding than her devotees.
Zaire let out a deep exhale, a mixture of relief and frustration intertwining within him. His shoulders slumped as he directed his gaze towards the imposing statue of the goddess perched atop the temple's peak.
Zaire gritted his teeth. Why was it only me? What have I ever done? He wanted to ask her, but he had asked such questions countless times already. The goddess, to her credit, remained silent all these time.
Abruptly, he found his attention fixated on a small window high on the stone wall as Alex’s words resurfaced in his mind.
Without conscious thought, Zaire found himself scaling the walls, driven by an inexplicable force. He climbed towards the window that led to the ceremonial chamber.
Zaire wasn’t even sure what he was trying to prove or if he even thought of the consequences when he latched himself on the window ledge. It was simply an impulse.
Soft rays of sunlight filtered through stained-glass windows, casting a gentle glow upon the worn stone floors of the ceremonial chamber as Zaire cast his sight inside. Amidst the hallowed walls, tapestries, and murals that tell stories of the goddess, Zaire found the small pool next to the altar where another Goddess’s statue stood, in far better shape than the one outside.
A young boy, now an adult, just completed his ceremony and departed. Within a minute, Zaire caught sight of the blond priest ushering Faye into the room. Instinctively, Zaire lowered his head, ensuring to directly not to stare at the high-level priest of the goddess.
The priest focused solely on his sister, guiding her towards the pool. Faye approached the small pool with a reserved expression, her gaze fixed upon the clear and dense water that seemed to possess an otherworldly quality. The surface of the water reflected light differently from ordinary water, as thin misty smoke puffed out.
Faye hesitated for a moment, her mind enveloped in a flurry of unknown thoughts.
"Do not resist the Aether, Daughter," the priest advised, his voice carrying a tone of solemnity. "Embrace its essence, open your heart to the Goddess and let her lead you to your designated path."
Gathering her wits, Faye stepped into the pool, allowing herself to be completely submerged in the hallowed water. Zaire, observing from above, couldn't help but feel a tinge of anxiety.
However, any doubts he harboured dissipated as he witnessed a radiant white glow emanating from the Ascendant pool. Faye emerged from the water, her figure outlined by a blinding light that enveloped her form.
"Blessed! Solus!" exclaimed the priest, his voice filled with astonishment. "The Dream Aether, I knew it."
The intense white light faded as swiftly as it had materialised, leaving Faye slightly disoriented. Her eyes shimmered with an ethereal glow, reminiscent of light dancing through her pearl eyes. A moment later, everything returned to normal.
Dream Aether, Zaire thought, that has to be the rarest form of Aether under ordinary circumstances.
Zaire had his suspicions about it for years. Regardless, this changed everything.
The priest knew it too. If the priest had previously held a mild interest in his sister, now he was entirely captivated, granting her his undivided attention.
"Come on," the priest ushered her out. "I'll explain things more clearly to you, and I shall need to have a conversation with your mother. You have a bright future ahead of you, Fair Lady."
With them gone, Zaire had the room all to himself for whatever he wanted to try. However, he still waited for a couple of minutes, even though the priest had shut the door behind him, signalling the end of the ceremony.
The latch of the stained-glass window opened effortlessly as if it were a sign from the goddess to guide him into the ceremonial chamber. The opening was spacious enough for him to slide in without any trouble. However, the landing posed a challenge, considering he was still about three and a half metres above the ground.
Zaire couldn't afford to cause any disturbance, so he held onto the window ledge and dangled his legs downward. Preparing himself, he leapt like a house cat, albeit only on his feet.
His landing was nearly perfect, causing minimal disturbance. But that didn't give him an advantage; he had to finish this quickly and make his exit before anyone noticed.
Zaire cast one last glance at the statue of the goddess on the altar, his right palm clasped over his heart in a praying manner.
Then he submerged in the cold water. Instantly, a chill rushed through his spine. Unlike what happened to Faye, nothing developed in his case as he remained underwater, controlling his breathing.
The priests had instructed them to be open to the Aether and not resist it. However, how could Zaire resist anything when there was no reaction from the water, except for the uncomfortable shivers coursing through his body?
It was exactly like the previous time, no reaction, and… Zaire's thought process abruptly halted as he noticed the water starting to swirl around him in a terrifying surge.
Zaire couldn't even comprehend what was happening to him as the chill spread through his body and mind, completely stunning him. The priest had advised not to resist, but he wasn't sure if he could even if he tried.
[Awakening conditions met... Initiating Protocol... Analysing...]
[Soul curse remnants discovered.]
[Creating link.]
[Link complete...]
Zaire was completely taken aback, overwhelmed by the unfolding events. And before long, he lost consciousness...
[Purging the curse remnants...]
[ETA: 11:43:12]
Next

Here's the second part of Act IV. Sorry for the double post but I had no choice due to the website's limitations.
​

Act IV: The Clouds Burst (2/2)

To the Panic room
Frightened by the new attack, Biosyn's board of directors leave the auditorium and, guided by their escort, they head for the panic room. Meanwhile, the employees finally manage to rush out of the burning cafetaria and while some surrender to the Italians and the Austrians, others rush to the metro station or the garages in order to flee to the Biosyn village, and a fraction try to make a run for the panic room but their way is blocked by a group of guards.
On their way to the panic room, the board of directors is partly caught in a stampeding crowd. Zoe Murdoch is pushed on the ground, trampled and left behind while Nathan Quinn abandons his fellow board members.
The wage of treachery
While she also started heading to the garages, knowing that Dodgson must be there, Bigelow is attacked by Massoud. They fight but despite her skills, Massoud is a stronger opponent and he overpower Bigelow. But just as he is strangling her, the grey guard is tased by Kayla and falls unconscious. The smuggler helps the CIA agent get up and they hurry to the garages.
The raiders
Meanwhile, the mysterious soldiers have reached the laboratories, killing everyone in their path, be they Biosyn guards and mercenaries, scientists who tried to save their work, or besiegers (including Luis Olivares).
They cross the different labs. In Dr Lesser's, Wu hides from them as he is still locked up. The raiders ends up reaching their objective: The locusts' lab. When they see the nine empty rooms, the raiders seem worried and frustrated, implying they came to do something with the locusts. They then has the remaining group gassed and we see the locusts taking flight and then starting to drop dead on the floor. While some of the raiders then raid and destroy the rest of the Locusts' lab, other squad members then free the animals contained in the cages of another lab.
In the lower levels
While crawling and climbing in the vents towards the top of the Citadel, Claire sees Owen running past her as he rushes to the kennels. But the alarms' blare prevent The Raptor Whisperer from hearing his fiancée.
In the lower levels, Mia Everett is trying to capture Victoria, intending to save her from the chaos and Biosyn's clutches, but the young Achillobator attack her, biting and clawing at her throat. Grievously injured, the scientist fall and Victoria lets her bleeds to death. When Owen finds Mia, she just has the time of uttering a few words before passing away. The Raptor Whisperer sees a number of animals running in the hallways, including Victoria. But just as he plans to catch her, Biosyn employees are being chased by some of the most dangerous escapees (like the dilophosaurs). Some of those animals prevent The Raptor Whisperer from going after Victoria and he is forced to hide in the first room he can find.
Tu quoque mi fili
On their way to the garages, Ramsay and Dodgson have an argument, during which the first say he no longer want to follow the second due to his recent fits of madness (filling Maisie's head with lies; the locusts' threats; literally declaring war with the Italians and the Austrians; behaving like a dictator...), even though he believed in his vision when he was recruited years ago (Ramsay genuinely believed that Biosyn's breakthroughs could improve the world etc...). When Ramsay admits having helped Wu with discovering the truth about Charlotte's videos and breaking Maisie out of the Citadel, Dodgson seems genuinely hurt by the betrayal of his son-like figure. One too many, after those of Wu, Drummond, and Pellegrino. Their argument worsens, up until they come to blows. At one point Dodgson pulls out a pistol and shoots Ramsay in the belly by accident. While the younger man bleeds out, the CEO is dazed and runs away while predators' growls can be heard nearby.
Near the garages' entrance, Dodgson is found by Bigelow and Kayla. The CIA agent asks about Ramsay and he answers that he didn't make it due to an attack on the way. The three take the last available vehicle and exits the Citadel, driving into the valley. Their objective is the same mountain path towards which Maisie and Drummond are heading.
Duel
On the way to the courtyard, one of the mysterious soldiers has a sword fight with a grey guard (Cesare oand Papadopoulos). During it, his opponent tear a part of his sleeve, revealing a tattoo which depicts a snake hieroglyph (actually a symbol of the god Apep). The soldier manage to climb aboard their helicopter, which take off and leave the valley with one of the attack helicopters. Confused, the grey guard wonder who those attackers were.
The dam busters
Meanwhile, the other has moved to the other end of the valley, where it's in the middle of a fight with one of the Special Forces' helicopters, just by the dam. During their battle, the dilapidated dam is destroyed and its unleashed frozen waters follow the valley's main river, flooding everything in their path, including the battlefield on the road and the area just in front of the Citadel. A number of animals, Carabinieri and Biosyn employees aboard a fleeing vehicle are carried away and many of them drown while Dodgson's vehicle is almost caught by the waters.
The flood reaches the south-eastern limits of Biosyn's lands, where it's momentarily stopped by the wall found there and which separates the Sanctuary from the nearest village. But under so much pressure, the wall breaks down and the flood continues, destroying parts of a riverside village after that, catching some of the inhabitants.
With its main power source gone, the electricity goes off within Biosyn's lands and the surrounding areas, deactivating the invisible fences and stopping the metro full of passengers in the middle of the tunnels.
Road accident
While in the part of the valley spared by the flood, Dodgson's vehicle nearly collide with a loose black billy goat (the same which ran away in the prologue) and in its attempt to bypass it, it tumble down a slope (with Bigelow being ejected in the bushes in the process) and ends up on its roof (like the vehicle carrying the original trio and Maisie in Trevorrow's version).
Aftermath
The attackers gone and most of Biosyn troops neutralized or routing, Vuillier, Dougal, Nyamu, Viscontini, and the surviving grey guards, the officers of the Carabinieri and the Special Forces, along with Pellegrino and Nathan Quinn starts organizing the evacuation of the remaining Biosyn employees and taking the wounded (as the grey guards' medic, Papadopoulos will tend to them) to a provisional secure location within the Citadel (the auditorium could be such a place). In the control room, all the technicians but a few were killed or badly injured by the helicopter's attack while the grey guard's team dispatched there is in a hardly better state as Isabella Perez was also injured. Al-Damiri orders their comrade to take her out of the tower, and give similar orders to the uninjured technicians, asking only one to stay just in case. The Egyptian grey guard and the remaining technician then assess the damage.
As power need to be put back on for various purposes (allowing the three grey guards continue their search in the archives; deactivating the valley "aerial defense" to let helicopters come in the Citadel and evacuate people; reactivating the metro; reactivating the invisible fences to prevent the animals from leaving the valley...), people are sent activating the emergency generators.
They want to send men after Dodgson's but while the valley's known exits are watched, they fear he knows a secret one.
Dodgson's demise
When Bigelow awakes amidst the bushes, she notices that the vehicle is surrounded by a group of Nasutoceratops (or some other buffalo-sized herbivores). Inside the crashed vehicle, Dodgson and Kayla regain consciousness and know they have to wait for the herbivores to leave before exiting the vehicle. Suddenly, the herbivores get agitated and leave. They caught the scent of a predator and the latter shows itself: It's the InGen-bred Acrocanthosaurus.
Ensue a scene where Dodgson, just like his novel version with Sarah Harding, tries to save his own skin by pushing Kayla from the vehicle so the Acro can eat her instead of him, deeming her expendable, but the opposite happens. When the CEO is shaken between the jaws, his precious hard-drive falls on the ground and Bigelow sees this and tries to reach it before it's crushed by the animal. Kayla tries to hold the CIA agent back, saying she'll get herself killed and that the hard-drive isn't worth it. Bigelow rushes towards her objective anyway. When it takes a still screaming Dodgson in the woods, the acro steps on the hard-drive, destroying it.
The black billy goat responsible for the road accident watches Dodgson being devoured by the dinosaur.
Meanwhile, a depressed Bigelow is looking at the destroyed hard-drive and Kayla is forced to shake her so they can move away and head for the mountains in order to leave the valley.
Drummond's confession
Walking above the surface and not in the tunnels in order to not reiterate the traumatizing experience with the pectinodons even if it's equally dangerous due to the other valley's predators, Drummond and Maisie are heading eastward, following the peripheral rim of mountains.
During their trek, Drummond tells Maisie about the Hunting activity in the Sanctuary and how its profits financed his research at Biosyn, explaining part of his self-loathing. He admits he's glad that Claire put an end to it, even if he wished less blood was spilled.
To add some light amidst those dark hours, the teenager and the palaeontologist have a peaceful encounter with some dinosaurs (probably herbivores).
While watching them, Drummond tells Maisie about his late wife's wish of having children, implying to the teenager that she has a roof under which to sleep if she doesn't want to return to Orick and leave the Lockwood name behind her in order to finally have a normal life.
At the opposite end of the valley, they see fire and smoke rising from the Citadel and wonder what happened there.
Zobie la Mouche/Whac-a-Mole
Another danger is spotted near the Citadel. Coming from the now-flooded area at the base of the building, comes Brontes, one of the Argentinosaurus.
After the battle and the flood, he just seeks a place to have some rest and thinks the Citadel's courtyard would be a decent choice. The characters in the atrium hide as he crosses the now destroyed hall. It's seen during that scene that the sauropod has many scars on his skull, implying some human abuse (probably for medical experiments). The sauropod's suite of small carnivores take off from it and land in the atrium, investigating the hall as they caught the scent of dead or wounded humans.
On his way, Brontes sees something moving on the ground. It's Murdoch, who's trying to crawl away despite the injuries she got after being trampled by a crowd. Brontes looks at her with curiosity and then crushes her under his foot. Murdoch now squashed, Brontes loses interest in her and enters the courtyard while some members of his suite eat the remains of Biosyn's vice-president. The Argentinosaurus stands in the middle of the courtyard, just in front of the tower's entrance, and starts to sleep while standing (a bit like elephants). A part of his suite is on the lookout, hearing noise all around within the Citadel.
Distracting Brontes
Our protagonists are bothered as Brontes and his suite are preventing them from going after Dodgson by the shortest way and reaching the archives' entrance. They can either make a long detour through a series of hallways or confront the dinosaur. As time is running against them, they take the second option and while some of the grey guards (Cesare, Massoud, Kapakas) are attracting Brontes and his suite towards a ruined part of the Citadel (and from the control room, Al Damiri help them by shooting on the beast), Vuillier and Nyamu run to the tower and reach it in time. At the archives' entrance, they join Chapuy and his two comrades.
Burning the Hydra's heads
In the dark hallways, Claire stumbles upon Betty Chapman (or whatever her real name is), who's pushing a cart with hydrogen cyanide canisters. At that moment, the audience also notices for the first time that Chapman has the same snake hieroglyph tattoo on her arm as the soldier who had a sword fight with the grey guard.
Claire first intends to stop the guard and bring her to the invading force so she can be put with the other Biosyn employees, but Chapman tells her that they should be allies as she's also an enemy of Biosyn. Claire demands precisions and while pushing the cart, the guard reveal that she infiltrated the company and was the one who sabotaged the Sanctuary in the last few months, by temporarily deactivating the invisible fence and allowing one of the Quetzalcoatlus to escape in order to accelerate the destroying of Biosyn's reputation, and sending intel to the raiders, whose objective were to destroy the locusts before their shipping abroad. When Claire asks who she and the raider are, Chapman only gives an enigmatic answer (something like "Chaos in the service of a greater good"). When she tells Claire that Wu made those locusts, the former director of Jurassic World thinks about finding the geneticist and follow through with her threats from three years earlier.
On the way, Claire has to scare off some escaped predator which wanted to attack them. Chapman tells her she's heading to the panic room, where the board of directors so foolishly trapped itself. The felon guard explain Claire they can't take the risk of having the board members leaving the panic room and escaping the valley and that she could help her giving a deadly blow from which Biosyn will never recover while they still can. Claire agrees to help her and looking at the canisters, she remembers what Doctor Karim Depéret, one of InGen's geneticists, told her during the Lockwood Estate incident, that Hydrogen Cyanide is a poison.
The emergency generators
As having a full suspenseful scene dedicated to restoring power like in Trevorrow's version would be too much of a retread of JP's bunker scene, the scene where power is restored is either much shorter or happening off-screen.
However, the emergency generators alone are not enough to provide power for all the needed tasks (the invisible fences and the aerial defense system are quite energy-intensive) and another black-out occurs. Power is once again put back on but our protagonists are forced to make choices. In order to keep the invisible fences on and the archives' power running, they are forced to keep the "aerial defense" system on and stop the evacuation's helicopters from going and coming between the Citadel and the camp outside the valley in order to not trigger pterosaurs' attack.
Dracul
Reaching the part of the Citadel where the panic room is located, Claire and Chapman bring the cart to a maintenance tunnel, prepare the canisters and neutralize the guards in front of the panic room, using darkness to their advantage. They block the door, preventing the board members from escaping. They return to the maintenance tunnel and Chapman lets Claire introduce hydrogen cyanide in the panic room's aeration, poisoning the board members. Finally, the Chapman gives Claire a box of matches. She takes it, lights a match, throws it in the right vent and while the gas catches fire, the two women run away. The panic room is destroyed in a violent explosion which finishes the board members off. It's heard and felt within most of the Citadel.
A wounded Biosyn guard sees Claire fleeing the panic room's area and notices the blood on her clothes. When he discovers what's left of the panic room and the board members (charred corpses at best), he utters with dread the following word: Dracul (Dragon in Romanian. The guard, a minor character, is established to be a Romanian immigrant in an earlier scene depicting the daily life of the facility's employees).
Claire tries to find Chapman after that but the other woman disappeared like a ghost and is not seen for the rest of the Dolomites Incident.
In the Archives
Vuillier, Nyamu and the three grey guards with them are still searching the archives for every incriminating document.
Reuniting
After discovering that Victoria and other animals escaped the citadel through a door and are now in the valley, Owen heads for the control room, aware that it must have some sort of tracking system. On the way, he reunites with Claire and soon, they are found by Dougal. As the Argentinosaurus is still posing a threat in the central courtyard, they pass under it in order to access the tower. They climb to the control room, meet Al-Damiri and the last technician there, get access to the tracking system and Victoria's current coordinates. They find a tracking tablet and Claire volunteers to stay in the control room and be their eyes.
While Owen and Dougal grab some capture equipment in a room near the kennels, Claire searches through the CCTV footage and finds Wu in Maisie's cell, within Dr Lesser's lab. She heads for the laboratories, telling the others she found the geneticist.
Following Victoria's signal thanks to their tracking tablet, Owen and Dougal leave the Citadel and head for the nearby forest, crossing the flooded area between the two.
Wu-ing for redemption
Claire reaches Dr Lesser's lab and opens its cell. Wu steps out but his old enemy brutally grabs him and interrogates him about the locusts. As he once again fucked up, she's about to strike him when pity hold her hand back. Wu tells her that they can still cancel Dodgson's apocalypse, by passing as the CEO himself and giving Biosyn's abroad agents the order to destroy the locusts, and just begs her to offer his help. After a moment of hesitation, Claire help the geneticist stand and give him his cane, the one Lockwood offered to him at the end of TRQ. Together, they then head immediately to the central tower and once in Dodgson's office, Wu turns the CEO's computer on but discovers it's empty. Claire's aggressiveness starts to return when Wu remembers that Dodgson kept some of his most precious information on paper and not necessarily on his computer as he feared being hacked. They start searching the office and the adjacent bedroom. Wu notices a framed picture of Dodgson as a child with his mother at some science fair (in an earlier scene, before he sent the containers, Dodgson could be seen closing the frame while Wu just stepped in his office). Wu opens the back of the frame and discover that Dodgson hid small pieces of papers between the picture and the frame itself. When he sees one paper with Hexapod Allies written on the top; a series of names, phone numbers and email addresses below; and a series of secret codes for the different orders on the back; he knows they put their hands on the jackpot. Wu and Claire hack Dodgson's email account (the password is Liddell, the maiden name of Dodgson's mother) and write the message to the agents involved in the Hexapod Allies operation, including the secret code for the Destroy order, but when they want to send it, the computer notify them that they can't due to internet connection issues. Wu realizes it's because the antenna on top of the control room might have moved following the helicopter's attack. Someone has to climb on the roof to properly realign it and since Wu can't because of his lame leg, the task goes to Claire.
Tracking Victoria
In the woods, Owen and Dougal hear Victoria's calls for help. The young Achillobator still thinks her mother might show up.
They find her and try to capture her but fails. They wander deeper in the woods.
Realigning the antenna
Claire climbs on the control room's roof and communicates with Wu through the radio, she ends up finding the right antenna.
However, just as she begin fixing it, the Argentinosaurus' suite start harassing her as the sauropod is just below. From the auditorium's entrance, Viscontini notices that. Learning through Wu what Claire is doing, Viscontini orders the grey guards to attack the Argentinosaurus so his suite will turn away from Claire to instead defend him. Wu also urges the AISI head to send men after Theo, Maisie and Drummond, as they're carrying very important data about the locusts, enough to destroy Biosyn.
Defying a Titan
Round two between the grey guards and Brontes start, and most of Claire's harassers go help him. This time, the sauropod actively chases his human attackers across parts of the Citadel, destroying walls and roofs with his sheer weight, letting out deafening bellows, passing his neck and head into breaches to try get access to the characters while his suite can reach them where he can't. Massoud ends up grabbed by the herbivore mouth and then thrown against the tower or any other surface, killing him instantly. An additional idea could be the titanosaur provoking small "earthquakes" when he strikes the ground with his forefeet, destabilizing Claire on top of the tower (she even almost falls).
Depending on the pace, there could be at the same time a suspenseful scene in the archives involving some creatures from the labs or the kennels. If the archives are low enough, maybe they'll get inundated because of the flood and the threat could be a semi-aquatic creature contained in the Citadel or brought by the flood (like the temnospondyl; while Nothosaurus, which had a small appearance in my JW rewrite, could be an alternative choice, with individuals housed in the kennels).
Prometheus' fate
After giving a few kicks while repelling her last harassers, Claire manages to properly realign the antenna and Wu successfully transmit the Destroy order to the Hexapod Allies agents. We cut to them as they destroy the locusts in their containers. When he receives their confirmation, the geneticist is relieved. But just as Claire is about to return to Dodgson's office, she sees a *Variraptor (*if it's chosen as Brontes' suite. If not, it will be some relatively large feathered coelurosaurian from the labs in order to make the parallels with Prometheus work) getting to its entrance first. Wu just has the time to barricade himself in the bedroom adjacent to the office but he knows the door won't hold long. Something (Brontes passing his head through a window and trying to attack her?) prevents her from reaching the office. She tells Wu to hold while she tries to save him but he asks her to instead save herself, wishing her a long and happy life. He bids her farewell and wait for his death while Claire escapes the tower. The raptor ends up breaking through the door and it pounce on Wu. While the predator starts devouring him, his cane falls on the ground and its amber pommel shatters.
Owen's decision
Just as the Owen and Dougal are about to start a new attempt in capturing Victoria, a pack of Achillobators (the same one which allied with Claire in the previous night) shows up and our duo hide while the raptors spot Victoria. At first, Owen fears they'll hurt or even kill her. He thinks about intervening, even if he might risk his own life, but after sniffing the young and scared Achillobator, the pack leader gently guides her towards her pack. Owen and Dougal watch the raptors disappear in the darkness. Dougal ask Owen if he'll do something but the Raptor Whisperer says nothing, willing to let Victoria live with a pack and without unnecessary human interference in her life. They head back to the Citadel.
The tower and the tyrannosaur
Kayla and Bigelow arrive by one of the observation towers, the one closest from the mountain path they're heading to. Nearby, the Special Forces' helicopter shot down by that of the raiders and the surrounding vegetation still burns. Just as they are about to climb to its observation bay in order to raid the tower for anything useful before starting the mountains' ascent, they are surrounded by a pack of small carnivores (just like Claire with the dilophosaurs in Trevorrow's version). Before they attack, a horn blast is heard. It's Drummond and after the palaeontologist insists with his portable horn (similar to the one Nigel Marven use against the velociraptors in The Giant Claw), the small carnivores scatter. He asks the two women if they're friends or foes, if they count among Dodgson's friends. Kayla answers that since Dodgson tried to sacrifice her to an Acrocanthosaurus, the answer is no for her, before adding that it ate Dodgson instead. Drummond is glad to hear that and he tells Maisie she can come. The teenager, hidden until there amidst the vegetation, joins them. Having heard Dodgson complaining about Maisie's escape, Bigelow is aware she must be very important but still wary, Drummond whisper to Maisie to not say a single word about the flash drive she's carrying. The two duos talk about their objectives and discover that they're the same. For better chances of survival, they decide to head together for the mountain's path.
But a tyrannosaur, the same one which Claire released earlier, makes its appearance while they're walking away from the tower. It saw them and they know that they better seek refuge in the tower than attempt to run from the predator. At first, they try to stay still, in order to not trigger its attack, but when he notices that the predator wouldn't mind eat one or two of them, Drummond tells Maisie and the two women to run. While they rush to the tower, he distracts the rex by agitating a burning branch. Afraid of the fire, the rex seek to avoid the branch and see the three other humans climbing the tower's ladder. The predator bypass Drummond and in its dash towards the tower, it sends the palaeontologist flying away with its tail. As such thing would have easily killed someone, Maisie fears the worst for him and when his motionless body falls into a ravine, the audience think it's over for him. Maisie panics while the rex has its jaws locked around the ladder's protective cage. What follows is pretty much similar to the Giganotosaurus' attack on the tower scene from Trevorrow's version, except that the final outcome will be quite different. As the observation towers' power has been turned off from the control room in order to save power for more urgent systems, our three protagonists can't have the observation bay rise to the top of the tower, where they would be safe from the rex. To make matters worse, another threat arrive.
I haven't decided which yet but the idea I'm having now is a group of pterosaurs, probably pteranodons, which targets our trio and chase the rex away from the tower by pecking at his head. Another manages to grab Maisie and take her out of the tower. However, the pterosaur let her go before it can be above the canopy due to some incident (another harassing it probably) and Maisie falls into dense bushes at a certain distance from the tower, out of the two women's sight. In the meantime, a mist has started descending from the mountains. Bigelow and Kayla exit the tower and begin searching for Maisie in the area, fearing she got herself hurt in the fall. To cover a maximum of ground before the mist reaches them, they decide to split up.
The end of a line
We see Maisie managing to stand up and while she got bruises**,** she seems relatively fine and still in walking condition. Now lost and alone in the middle of the woods, she's very scared though and starts screaming to help. In the silent forest, Kayla hears her voice and follows it. Just as the mist is about to reach Maisie, the smuggler sees the teenager in the distance and calls for her. But when she hears heavy footsteps and a rumble coming from just behind Maisie, in the mist, her heart stops and she's aghast when she sees the tyrannosaur's silhouette closing to the girl's. Before Maisie can flee, the predator open its maws, grabs her and swallow her whole before disappearing in the forest's shadows (the scene is meant to be a mirror of one from my JW rewrite, where the death of a little girl during the pterosaurs' attack on the main hub is concealed by smoke while Claire watch helplessly). Thus ends Lockwood's line, indirectly destroyed by Claire Dearing.
Bigelow arrives in her turn and sees the smuggler kneeled on the ground, speechless, too shocked by the scene she just saw. Understanding what happened, the CIA agent has an "Oh. Shit..." face and tells Kayla they have to leave the valley while they still can, as she doesn't know what the Italians will do with it once it's taken, even fearing that it might be firebombed in order to destroy the perpetrators of the various incidents of the past months.
While the two women head for the mountain's path and the mist passes away, Drummond is seen climbing out of the ravine and starts to call for Maisie, in vain. Seeing the destroyed observation bay empty, he looks around for clues about Maisie's or the women's whereabouts. He ends up stumbling on the rex's tracks and follows them up to the spot where the teenager last stood. There he finds Wu's flash drive and seeing some blood stains around, he realizes she is no more. This deeply saddens him and this loss and failure just add another load on his self-loathing, as he would have gladly died between the jaws of the king of the dinosaurs if it could have saved Maisie's life. Instead of trying to follow Kayla and Bigelow, he goes in the opposite direction, towards the valley itself.
Leaving the Sanctuary
While looking to reach the auditorium, Claire is forced to hide in one of the labs from dilophosaurs roaming in the area.
In the archives, Vuillier and Nyamu finally put their hands on the documents they were looking for and take them. They and the grey guards' archives team then leave the room and head to the auditorium, in order to reunite with Viscontini and co. On the way, they have to pass between the legs of Brontes while he's distracted by the grey guards. When they reach the auditorium, Viscontini tells them that helicopters are waiting for them. One of the aircrafts is on its way to pick up the Owen and Dougal.
Escorted by the Carabinieri and the Special Forces, the surviving Biosyn employees are evacuated from the Citadel and when the grey guards retreat from their confrontation against Brontes, Vuillier asks them if they've seen Claire coming back but they answer that no. He contacts her and she tells him that she's being delayed.
We see her evading the dilophosaurs which were about to discover her and leaving the labs. Now, start for her an Uncharted-esque race through the Citadel where she has to cross various obstacles and avoid/outrun the loose creatures within it (including the dilophosaurs mentioned above). Still pissed, Brontes targets her and chases her up to her extraction point. Before the Argentinosaurus can close his mouth on her, she jumps into one of the helicopters where Owen and Dougal are waiting for her. The two men help her get inside and their helicopter fly away from the Citadel while the sauropod lets out a mighty bellow.
The protagonists leave the valley and the helicopters which drop them off at Biosyn employees' village, which has been taken over by the Italians and the Austrians in the meantime.
A bitter dawn
While the first sun rays reach the valley, Drummond stumble upon the monstrous Acrocanthosaurus Quasimodo in the area devastated by the flood, in sight of the now destroyed south-eastern wall. Surprised by the waters near the road battlefield, the predator was carried on a certain distance before ending up blocked by rocks and then impaled by a tree. When the palaeontologist finds him, he's dead. Disgusted by the animal, Drummond first tries to ignore him and continue towards the wall, intending to reach the village beyond it, but he turns back and carefully approach him. Tired from his night-long trek, Drummond sit on a rock just next to Quasimodo's head and still quite shaken by Maisie's death and the disaster, Drummond start to ramble about various topics (about the evolution of palaeontology since the San Diego incident, his wife, working at Biosyn, Theo's and Maisie's death...) before breaking down in tears and he can't hold himself from calling Quasimodo a Manmade abomination which deserved to be destroyed by Nature. While looking towards the destroyed wall, the palaeontologist start to regret those harsh words and pulls out a flask of whisky from his bag. After drinking a sip, he puts it back in the bag and just sit silently by the dead animal for a few minutes, up until some Quetzalcoatlus land nearby. The gigantic pterosaurs walk up to the dead Acrocanthosaurus and ignoring Drummond as a way bigger meal is just in front of them, they start feasting. While they do so, Drummond follows the flood's desolation towards the Citadel and he is soon spotted by the men tasked with finding him.
Of rivalries and world-saving
In the morning, Claire steps out of the accommodation assigned to her and Owen within Biosyn's Village. She sees Drummond giving Wu's flash drive to Vuillier before taking his leave. After joining her boss, Claire ponders about her relationship with Wu, on how both destroyed Jurassic World five years ago and how they pretty much saved the world that night. She and Vuillier have a respectful moment of silence for their deceased enemy.
In the abandoned citadel, it's revealed that one of the locusts survived. It's seen crawling on the ground, towards one of the vents. But just before it could reach it, a Mononykus (freed from one of the cages during the raid) swoops on it and devours it.
League of Dragons
As she is crossing the village, Claire passes by one of the remaining Biosyn guards. It's actually the Romanian one, the one who saw her by the panic room. Frightened as hell, he moves away from her while yelling "Dracul! Dracul!", still traumatized by the past night's events. Claire briefly wonders why he is yelling and running away before she gets surrounded by other Biosyn guards and Lucrezia Pellegrino. The Citadel's head of security explains that he called her a dragon because of what he saw and some of the guards start throwing insults at Claire, calling her a monster and a butcher, and she realize that they and their superior want to avenge those she killed. Pellegrino adds that by sending dinosaurs on people who oppose her, Claire is no better than Dodgson on that matter.
Nearby, Owen sees his fiancée surrounded and when one of the Biosyn guards throws a stone at Claire, he gets furious, tackles him on the ground and starts to beat him up. As another guard pulls out a knife (which he hid when they had to give their weapons to the authorities) and is about to stab Owen, the surviving grey guards suddenly intervene, getting the couple out of the Biosyn ambush and then confronting the attackers, standing by Claire's and Owen's side. The grey guards retort to their opponents that their comrades could have denounced the Sanctuary's illegal activities, surrendered, deserted or arrested Dodgson while they could but did nothing, before adding that without Claire, they would have all eaten nothing but locusts in a near future. The Biosyn guards feel insulted however and as an ugly fight is about to break out between both groups, the Carabinieri are forced to intervene and assign them to opposite parts of the village.
The press, who just entered the Biosyn's lands, has witnessed the confrontation and so did Vuillier and Nyamu. The latter tells the Frenchman that since Claire pretty much saved the world, Odegaard could give her a well-deserved break, literally and figuratively.
Debate
In the village's equivalent of a community centre, a meeting about the incident's consequences and what to do with the Sanctuary and its animals is held. Among the attendees, are:
- The WDMC and the people directly affiliated to it: Claire, Owen, Dougal, Vuillier, and Nyamu.
- Representatives of the Italian government: Viscontini, Giovanni Pazzi, and a few local politicians.
- The surviving Biosyn executives and top researchers: Drummond, Pellegrino, Quinn.
During the meeting, we learn that:
- Dodgson was found, or at least five or six pieces of him.
- Some of the Sanctuary's denizens managed to flee the valley and are now somewhere in the Italian countryside. Among the escapees are Victoria and her new pack of Achillobators.
- Exterminators led by the surviving grey guards are about to be sent in the amber mines to slaughter the pectinodons down to the last individual and the species will be soon classified as a pest in Italy, Austria and probably other countries.
Several solutions for the valley, its denizens and the Citadel are discussed:
- Cull the animals, cleanse the valley of Biosyn's traces, and give it back to the inhabitants expropriated by the corporation when it decided to have the entire valley and some of the surrounding lands for itself and no one else.
- Abandoning the valley, let the animals fend for themselves and hope that "life will find a way", even if it poses huge risks for the local populations and ecosystems.
- Dispatch the surviving animals to zoos and other entities which can legally house dangerous captive animals. Proceeding like this will allow de-extinct creatures to no longer be in the ownership of a single entity like Biosyn or InGen.
- Round up the loose animals, cleanse the battle's and the flood's damages, and turn the place into a real Sanctuary for de-extinct animals. Not a "Kruger with dinosaurs" like the Five Deaths but more like a non-profit place with enclosures (akin to many sanctuaries for wild animals across the globe). It will be a public-private joint-venture, with the sanctuary co-managed by the UN's WDMC and the Italian government while private partners will help finance it (Nathan Quinn propose to be one of those but Vuillier, Dougal and a few others distrust him and prefer to not have some of Dodgson's former collaborators on the project). And in order to ensure good relations with the local communities, jobs will be offered to the area's inhabitants and some lands given back to them. Shall this solution be adopted, Vuillier proposes to have Claire Dearing as its manager, Owen Grady its head warden, Rod Drummond its chief researcher, and Laurenzo Cesare as head of security, if they accept. Pellegrino storms off at this moment, disgusted that they're about to leave her without a job and rewarding Claire, an unrepentant psychopath in her eyes. In a moment of consultation amidst the meeting, Claire tells Vuillier she'll probably refuse becoming the sanctuary's manager if this solution is adopted, telling him that she has the feeling that her future lies elsewhere and that she'll continue work as a field agent if he don't mind. Vuillier, who clearly saw how Claire evolved since she started playing spies back in 2019 and decided to close his eyes on her exactions, suggest her to settle for a quieter less-violent life and declares that managing the Sanctuary could be the ultimate redemption for her. Still shaken by the amount of violence she had to commit in order to stop Biosyn and desiring to spend more time with her son, she ends up being persuaded and accept the idea.
The different solutions are being debated for weeks if not months within the Italian government and the UN.
​
End of Act IV.
See you tomorrow for the final Act and the Epilogue.

“Pete knows what he saw, Martha!”

“Bunch ‘a frightened children ain’t exactly the--”

A door slammed shut.

Clark Kent, only a young boy, squeezed his eyes shut until it hurt and pressed his hands against his ears until his temples throbbed.

One step after the other. Heavy. Crunching grass.

“You think I’m an idiot, Martha?!”

“Now, I never said that.”

The pained look on Clark’s face softened -- softened, so it could be remolded into a whimper while the rest of his body stiffened.

“He ain’t done nothing wrong, all I’m saying is--”

“All you’re saying is that you’d rather not talk about it!”

“There’s nothing to talk about!”

Then why wouldn’t they stop talking! All of these voices, the thousand-million voices screaming at him, and all Clark could hear were the two arguing over him! Him!

A long, creaking groan. Wood shuddering.

“CLARK!”

The word, his name, knocked the other two sources of dismay from his head, an instant of soothing comfort before the pain took hold again and even more intensely, now as if he were pressing his head against a bass booster. “Pa!” Clark cried out, only to regret it as quickly as he had acted on the impulse.

“CLARK!”

His father called for him again and, judging from what should have been the imperceptible way the wind whistled, began dashing around in search of him; it took nothing less than an eternity for Pa to finally find him and one thunderous thwump after the other to finally lay eyes on him.
Pa pulled down the last barrel of hay -- Clark had stacked some around himself in an attempt to muffle the noise -- before breathing a sigh of relief; little did he know, it was a veritable wind storm to his son. “Remember…” he made sure to whisper, his small crisis finally abetting, if only a little. “This is all you. You’re inside your own head and that’s making it so much worse. You are the one in control.”
Clark’s only response was a strangled noise and to curl up further into himself.
To that, Pa felt his own throat tighten. “So open your eyes, son, get on back to the rest of the world… I’m right here.” He extended his hand, gently nudging Clark.
Again, no response and, again, Pa’s throat tightened, twisting and winding until the strain became too much to bear, and finally snapped loose under the pressure.

“DAMNIT, CLARK!”

He burst out, the sudden snap of tension giving each word a trembling quality as it all came pouring out. And then Clark flinched, like all boys do when they’re scared or hurt or both, and the dam was suddenly closed again, sealed with a silent promise.
“Son, I--” Pa stammered, his voice the sort of wreck so mired with cracks and creaks that it was a miracle it held together at all. “I didn’t--”
It was then that Clark finally stirred, hands at last unwrapping themselves from around his head, which peaked up ever so slightly to look out beyond his hay-fort at his father. “I’m sorry,” he said, voice so small that Pa struggled to hear it.
His body screamed a thousand different things to say, but he knew that just was the last thing Clark needed right now. So, fighting back to the calm, measured tone he had managed just a scant few moments ago, Pa said, “You best not be sorry, you ain’t done nothing wrong,” and pulled his son out from his refuge.
“Seriously?” Clark seemed dumbfounded by the statement, so much so that he even resisted the tug, if only for a passing second. “You seen what’s happening back there?” He jabbed a finger towards the house. “It’s all me. Literally. They’re arguing about me. ‘Cuz I-I’m some sort of freak or something!”
Pa was quick to correct him. “You ain’t no different from any other boy I ever met.”
He was met with a piercing glare from his son.
“You know what I mean, aside from your gifts--”
“How the hell’re these supposed to be gifts!” Clark threw up his hands in his best attempt at exasperation, but even an ear without super hearing could hear how his throat stiffened with each word.
Pa smiled, shrugging. “Able to race the car, leap the barn in a single bound…”
“But I don’t want to do any of that!” he said, voice finally breaking. “And w-when it comes with stuff like… this…! I just wanna be Clark Kent: Pete and Lana’s friend. Your and Ma’s son. Not some freak!”
“Clark--!” A cross of anger and dread flared in Pa’s voice, and he caught himself from pulling Clark into a hug. Swallowing hard, he instead summoned the warmest smile he could, ruffling the boy’s hair.

“You are my son, but you are so much more than that too.”

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DC Next Proudly Presents…!

SUPERMAN: HOUSE OF EL

The Return of Superman - Part 3, Moving at Super Speed
By JPM11S
Edited by ClaraEclair & Deadislandman1
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To say silence hung thick in the air would have been an understatement, because even silence was something more than being frozen in a single, inescapable instant: Kal-El staring down the man clutching his throbbing hand, the man’s friend looking on flush-faced, and the rest of the establishment bracing for whatever happened next. It was a rare thing that Jon Kent found himself slipping into Bullet Time on accident -- a state of heightened awareness where the world seemed to grow still around him -- and an even rarer thing that it should happen when a bright red cape wasn’t slung around his shoulders; simply put, as an instinctual reaction to being threatened, there needed to be, well, something that could threaten him, and there weren’t very many things that seriously could: Kryptonite, which Jon was confident wasn’t in play, and being yelled at, which he couldn’t have even known.
It was then that it dawned on him, so obvious that the muscles and tendons along Jon’s arm tensed in anticipation of slapping himself upside the head before he stopped himself -- a small thunderclap born from his own embarrassment was likely to only make the feeling worse. ‘Just an adrenaline rush…’ Jon explained to no one but himself. ‘Because… you know… watching dad do… that.’ The recently appeared doppelganger of his father had broken a man’s finger to “teach him a lesson” -- something his father most certainly would not have done; what he would have done, and what Jon was currently doing, was take a deep, relaxing breath, easing the stress away so that he could “hit play” on the rest of the world.
It came as something of a mild surprise when… nothing happened; Jon panicked, doing a double take as the terrible thought sprung into his mind: What if this was something else, some time-weapon unleashed just then on the city? Or what if he had failed to slow himself down? Would he be forced to wander the world a waking ghost? Jon shook his head, knocking such silly notions from his mind -- and also getting the attention of Natasha Irons.
“Something up?” she asked, broken from her spellbound trance.
Jon blinked. “Nope. Nothing.” The Ace ‘o Clubs could be a little rough around the edges, so what didn’t even qualify as a minor scuffle at the bar hardly registered with many of the patrons, who merely kept about their business as if nothing had happened -- because, to them, nothing had. Jon shook his head again, chidding himself for thinking that a cursory glance in that general direction had been any real indication of interest; his own bias, he supposed.
Kal-El returned to the table, his sheer weight and size making it known despite the fact that Jon’s attention had been elsewhere. No one said anything, and it took the visitor from another world a few passing seconds to realize that fact -- like they were all waiting for him to do something.
Kal looked up, a look of restrained puzzlement on his face.
Lois’s lips went thin. “What was that?”
“What was… what?” Kal-El’s eyes darted across everyone’s face, searching for an answer.
Irons nudged him gently.
“Wait, really?” he almost recoiled, tilting his chin up and cocking his head, confusion finally overtaking him. “I--”
“Was wrong.” Lois finished the sentence for him. “The hell were you thinking?!”
Jon and Natasha exchanged looks.
Kal-El shrugged it off. Literally. “The way I see it, a broken finger or two isn’t going to impede him in any real way, while also being something he’s not going to just forget.”
“So that makes it alright?!” insisted Lois, leaning forward.
“...yes?” he answered. “Though I feel like that’s… not the answer you wanted.”
“That’s not how we do things here.”
At that moment, with just how each word was frozen in a block of ice, Jon could have swore his mom had spontaneously developed Frost Breath; ironically, that was what inspired him to finally intervene. “You know, mom,” he explained, “In class, the professors always talked about how different all these cultures were from each other: food, clothing, language, medicine, you get the idea… Their sense of justice, how they handled punishments and such… that was one of the big ones too. Judeo-Christian morality versus something like Hammurabi's ‘an eye for an eye.’” He paused, making sure his mom was actually listening. “So, you know, on Kal’s Earth, maybe that was perfectly acceptable. Heck, there’re a lot of people here who would agree with him.”
Lois stopped to consider her answer, though it seemed more an imitation of the action than a genuine attempt. “He’s here now, and that wouldn’t make it right if he wasn’t.”
“Listen, I’m really sorry if--” Kal-El raised his hands in apology.
“No, no,” Jon waved him off, gaze never breaking from his mom. “You can’t just force your values onto another culture.”
“Like he forced that guy’s finger back?” she countered, rising to the bait. “Seems like that’s exactly what you’re talking about.”
“If I was talking about him right now, sure, but I’m talking about you,” insisted Jon. “You’re just doing the same thing you’re complaining about him doing.”
Lois lowered her chin, motioning towards herself. “So, wait, I’m the one who’s done something wrong here?”
“The both of you, yes.”
“So you’re saying it was perfectly alright?”
“I just said it wasn’t.”
“Oh, so you’re not judging him based on your own values?”
Jon shook his head, grinning. “You’re trying to distract from the point!”
“No, I just think the entire argument is flawed, since by criticizing someone like that, you’re inherently impressing your own values on them,” she explained. “You know, the thing you’re taking issue with.”
“But you’re from the same culture as I am: he isn’t.”
“He isn’t sitting right here, yes…” Kal-El groaned.
Lois and Jon kept going like he wasn’t.
“He’s impressing his own cultural values on someone from another.”
“Right, and I agree, but I’m taking issue with you right now, because--”
“Because it’s time for this conversation to end,” Irons finally interjected, much to the audible relief of Kal and Natasha, whose shoulders visibly relaxed. “Seriously, I think I speak for all of us when I say I can hardly follow what you two are going on about.”
“We’re saying--” Jon and Lois began in unison, only to be cut off with a raised hand.
“We’ll manage without it,” he chuckled.
There was a brief lull in the conversation, a time where the most activity was Jon’s eyes scampering about the place and the beat of Kal-El’s fingers against the table. Eventually, Jon’s gaze locked onto something or, more accurately, the lack of something.
With his mouth hung open just slightly, Jon asked, “Hey, did anyone notice Mr. Bibbowski?”
“Yeah,” Natasha spoke up, glancing around the table. “Didn’t you guys’s see?”
She took the blank stares as a no.
“Didn’t you guys catch the sign-note-thing?”
More blank stares.
“Okay, seriously, two of you have literal super senses and the other two are, like, super geniuses.” Nat waved her hands around. “You know what, doesn’t matter. I’m getting off topic. Bibbo’s in the hospital. The sign was about raising money.”
“What?” Lois pressed, immediately leaning forward. “What’s wrong?”
His gaze a million miles away -- or, more accurately, only a few -- Jon answered first. “Lung cancer. He’s in Metropolis General. Room 414.”
Irons chewed his lip, then looked up directly into Jon’s eyes. “First thing tomorrow, you pay him a visit, ‘kay?”
“But I was just going to now…?” Jon cocked his head. “What don’t I know about?”
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In retrospect, the thought that Kal-El would need somewhere to stay really should have occurred to him sooner than it had -- well, that might have been putting it a little too generously: had occurred to him at all. To be fair, though, it wasn’t every day that you met your deceased father from another world, though, also to be fair, he dealt with weirder things on a regular basis.
The Fortress of Solitude, Superman’s icy abode at the top of the world and one of the scant few remaining pieces of Krypton, seemed the most logical place to house Kal while they worked on returning him -- and everyone else -- back to the proper Earth, and it seemed that Jon wasn’t the only one who thought so. Following their malaise-laiden departure from the Ace ‘o Clubs, it was the immediate destination of the not-so-merry band, traveling up across the globe to it’s frosty doorstep, where they needed Jon to heft the Fortress’s giant, golden key above his head and unlock an equally gargantuan front door. The key was made of Supermanium, a metal forged by Clark from the heart of a dying star, and weighed an incalculable millions of tons, the only security measure needed despite it sitting out in the open.
Jon slotted the end of the key bearing the Crest of El into the groove, turning it to trigger the rumblings of icy shards as they peeled back to reveal a wall of blinding, cleansing white light. The group took a step forward, entering into another world -- almost literally: born of materials not of Earth and minds born far from it, the Fortress resembled something best described as an alien, crystalline landscape. The ground was a maze of large, roughly hexagonal spires with smoothly shorn tops, each of which peaked at a slightly different elevation and tapered off in the distance to create a sheer drop; at the edge of that cliff sat a circular array of crystals gently pulsing with light and humming just barely above perception. Placed around what was assumedly the central chamber of the Fortress, judging from the hewn hallway entrances at the perimeter, were trophies and mementos from Clark’s decades-spanning career as Superman, items ranging from the mundane, like Lex Luthor’s shrinking ray, to the absurd, such as psychic sand from the dimension of Quarm, to the profound, like the precious Bottled City of Kandor, a shrunken Kryptonian city rescued from the clutches of the vile Brainiac many years ago.
Kal-El loosed a low whistle. “Wow,” he said, eyes flitting about the place, jumping from the looming pillars that came together to form an arched ceiling, to the large, gaping voids dotted around where the spires didn’t conjoin. “It’s so… clean.”
“Come again?” Jon quirked a brow.
With a flutter of his cape and a look that Jon almost mistook for melancholy, Kal-El raised several inches above the ground and began drifting between the various exhibits on display. “Clean. See, I… I live in my… Fortress of Solitude, so--”
Jon finished for him. “Like a dirty room.”
“Exactly,” Kal looked up from the display and flashed him a subtle smile. “Like a dirty room.”
Lois, unable to fly and wearing shoes ill-begotten for her husband’s arctic-O.S.H.A.-violation, carefully stepped across one hexagonal tile to the next until she finally approached the black-suited Superman. “Little lonely living at the top of the world, no?”
“It is called the Fortress of Solitude.” There was a slight edge to his voice, though Lois could tell it wasn’t one pointed towards her. “Maybe, I wanted to be alone.”
Lois cocked her hip, rested her hand on it, and considered for a long moment pressing deeper, giving in to the gut screaming at her that this was the thing to pick at. Her heart, though… her heart counseled now was not the time, and she had long since learned the wisdom of always following her heart. “If you’re looking for solitude, we might have brought you to the wrong place,” she suggested instead.
In the same manner Jon had not a moment ago, Kal quirked a brow. “What do you mean?”
“A thousand apologies.” From across the room, a voice not unlike his carried, though distorted to an almost unnatural bass and strained with what was best described as someone fighting hard against a thick accent. “If I had been expecting guests, I would have prepared something for you all to enjoy.”
The comparisons to Clark and Kal-El didn’t end with just the man’s voice; while his face and form were the same general shape, his skin was ashen and craggy, like a smooth stone. With every step forward he took, the mass of rippling, coiled muscle underneath his purple-blue Superman t-shirt strained against their confines. “Ah, I see we have another visitor, unless my brother decided death didn’t suit him.” He inclined his head, placing a large hand over his even larger chest. “For now, you can call me Bizarro.”
Natasha, a gleaming smile on her face, chimed in. “We’ve been working on choosing a name!” she said, bounding towards the behemoth and wrapping herself around one of his hulking arms.
Bizarro returned the affection as best he could. “It was Nat’s idea. We were watching Space Trek: Pathfinder one night and--”
“And I was there too,” Jon interjected.
“And Jon was there too,” he chuckled. “But one of the characters was searching for a name and, considering the circumstances, it seemed appropriate that I do the same.”
Floating over towards Bizarro, Kal-El dragged his sight up and down the man, the doppelganger of his enemy from another world, eyeing him with a mix of reservation and curiosity. Eventually, Kal paused on the Crest of El worn on his chest. “You’re not like mine.”
Bizarro nodded. “In one key respect, yes. I’m not as--”
“Dumb.”
“Slow,” he finished, correcting him with a side-eyed glance. “While Jon was working a case with the Flash, Mister Allen devised a way to ‘speed up’ my thought processes.” (Author’s Note: See The Flash #19!) Bizarro paused for several more long moments, looking at Kal like he had to him not a second ago before shaking his head, seemingly perishing the thought. “You’ve met me,” he said, smiling. “Have you had the chance to meet our other housemate?”
Kal cocked his head. “Other housemate?” He threw his eyes behind Bizarro, expecting someone else to enter the chamber, but no one came. “Another reformed villain?”
“Your cousin,” Jon interjected, taking a step forward. “Kara. She got here only a few months ago.”
The spark of joy on Kal’s face lived up to its description: appearing in a bright instant, only to vanish as soon as it came, replaced now by a deeply furrowed brow, emphasizing the lines on the man’s face. “How’s she taking the adjustment? Losing one world, then another, I can’t--” Kal cut himself off when he saw Jon’s eyes widen slightly and his mouth open in response: he didn’t need to wait for the correction he was about to receive. “She’s not from another Earth like me… Where is she? I’d like to meet her.”
Lois shrugged. “She’s busy in National City right now, if I remember correctly, but--”
Irons stepped behind Lois, his hulking form framing her. “But we’d like to wait a minute and figure out how to break the news to her first.”
“No,” Kal said, every muscle in his powerful body visibly tensing, rearing. “She needs my help! You don’t understand what it’s like! You’re not like her! None of you, not really. Only I can understand.”
With a withering look, Irons replied. “You’ve never even met her, how can you know better than her own family?”
“I am her family,” asserted Kal, beginning his ascent into the air. “I helped my Kara through this once already, I can do it again.”
“And you’re the problem! You know how much she’s going through right now?!” Irons shouted up at him. “You died! The person she was sent here to protect! Dead! And now here you are in the flesh and blood! She’s got a lot to process already without that!”
There was a lengthy bout of silence between Kal and everyone else, only coming to an end when the otherworldly Man of Steel asked, “And who’s going to stop me if I try anyway?”
Jon swallowed.
🔻 🔺 🔻 🔺 🔻
To be continued in Superman: House of El #4, Don’t Call her Supergirl!

Lyrics in songs I've noticed.
Red Velvet

• Queendom

Oh hey! In the same dream
It kept calling us
Wonderland beyond distant memories
...........
Cntd
We we we strong, nothing missing
Wake up, the answer is Simple
Be Boss, blow the Whistle
The bigger world is noticing you.
Shall we have a festival? I hold your hand.
We've been waiting for this moment. Spread your wings and be yourself.
Come play at My carnival.
Climax? It starts now.
Watch out! We are making the rules.
......
It’s now or never, we got forever.
Sappy
;
You're sobbing and being pessimistic
You're hesitating again, you can't choose
Writing poems in your note, your hobby is sentimental
Look, now it's time to open the door
........
Tell me, which do you love?
It's not bad thing to dream
It's not a fairytale, it's the real world
What are you gonna do? Which one are you
gonna pick?
Reality or fantasy, adolescent boy?
I'm still clearing dating simulation games
using the manual
I'm still a long way from real love
.......
It's not that I don't like it
Escape from being just two-dimensional
Which one do you love?
Tonight let me know your true feelings
You'll really grow up then
Tell me, which one do you love?
(In the video the lyrics are "Logging out from delusion" for a part of it.)
That's not even getting into the imagery in the video.
Feel My Rhythm
Blowing up this fancy ball
We're back, cute chaotic delight
This is gonna be a crazy night
Epic appearance to stunning greetings
Let's have a little fun
Don't be shy, Bae bae
Let the play start
(Birds and wings everywhere in the video. Irene is shown offering strawberries to a gigantic statue of some sort which then falls towards her. Joy is seen standing in front of some type of being with wings, I can't tell what it would be though. Maybe one of us? Cant tell, she's, yeah she's blocking the shot)
Imagine anything
Now cruising into a weird, new dimension
A place I've never imagined appears unexpectedly
Don't miss this moment, baby.
Don't confine yourself to yesterday or tomorrow.
I'm truly free right now.
Come ride with me (Sway)
Let's go anywhere (Way)
I want to mess all the boundaries
In this world (Oh yeah)
When the world stops What a what a feeling Come take my hand (All right) A brand new Film We falling deep, You and I Next time, spin the clock Where should we go? Come on, let's start again You and I
Everglow
You used to be afraid of the dark night (ah yeah yeah) Hiding without anyone else knowing (ah yeah yeah) No one say happy ending You stayed silent and ran away (Here we go Here we go like)...
Knock Knock There’s a monster It’s growing larger, the black hole inside of you When you back uh? The howler has swallowed you, that’s the killer Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before Dream a dream that’s never been seen before (Ya) It’s ok if you fall (stand up) It’s you (hands up) Faster Stronger Better Gotta be the best Between night and day, around 5:30AM A war without loyalty will suffocate you, this is a foul Lies, darkness, truth, ecstasy, fantasy My candle makes you explode like a fireworks of melodies in the dawn Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before I’m breaking down the walls, crossing the lines I won’t shrivel up, I’ll jump over one step You got me now got me now two step Don’t slow it down slow it down Shout towards the sky that comes to you Hold onto the key of hope...
Bon bon chocolate

go up to the sky

.
Avenged Sevenfold
Hate to twist your mind, but God ain't on your side
Flesh is burning, you can smell it in the air 'Cause men like you have such an easy soul to steal (steal) So stand in line while they ink numbers in your head You're now a slave until the end of time here Nothing stops the madness turning Haunting, yearning, pull the trigger You should've known the price of evil And it hurts to know that you belong here, yeah Ooh, it's your fuckin' nightmare While your nightmare comes to life
You've been lied to just to rape you of your sight And now they have the nerve to tell you how to feel (feel) So sedated as they medicate your brain And while you slowly go insane they tell you Given with the best intentions Help you with your complications
You should've known the price of evil And it hurts to know that you belong here, yeah No one to call, everybody to fear Your tragic fate is lookin' so clear, yeah Ooh, it's your fuckin' nightmare Ha, ha, ha, ha
And I know you hear their voices (calling from above) And I know they may seem real (these signals of love) But our life's made up of choices (some without appeal) They took for granted your soul And it's ours now to steal As your nightmare comes to life
Afterlife
Like walking into a dream, so unlike what you've seen So unsure but it seems, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway
A place of hope and no pain, perfect skies with no rain Can leave this place but refrain, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway This piece on Earth's not right (with my back against the wall) No pain or sign of time (I'm much too young to fall) So out of place, don't wanna stay, I feel wrong and that's my sign I've made up my mind Give me your hand but realize I just wanna say goodbye Please, understand I have to leave and carry on my own life
Creating God
Standing in the shade of altruism, answering the call Came a modern messiah to save us all Something far beyond the work of fiction, Positronic brain A world that's void of all the anguish and suffering, pain
We're creating god, master of our designs We're creating god, unsure of what we'll find
Never held a high regard for Darwin, selection takes too long A little kick in the pool shouldn't do us wrong Devouring the very last invention man would ever need But exponential growth is a frightening thing, indeed
Sometimes when I look up to the sky I have to wonder are we "summoning the demon" you and I?
Have you noticed that I'm needin' it more now, more than it needs me Got a couple of billion that seem to agree Surfing in an artificial dimension, but we're not alone Now the master has become just a stepping stone, oh
We're Creating, God.
Beast and the Harlot
This shining city built of gold A far cry from innocence There's more than meets the eye around here Look to the waters of the deep A city of evil There sat a seven headed beast Ten horns raised from his head Symbolic woman sits on his throne But hatred strips her and leaves her naked The beast and the harlot
The city dressed in jewels and gold Fine linen, myrrh and pearls Her plagues will come all at once As her mourners watch her burn Destroyed in an hour Merchants and captains of the world Sailors navigators too Will weep and mourn this loss With her sins piled to the sky The beast and the harlot
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around I don't believe in fairy tales and no one wants to go to hell You've made the wrong decision and it's easy to see Now if you wanna serve above or be a king below with us You're welcome to the city where your future is set forever
Welcome to the family
Hey kid (hey kid) Do I have your attention? I know the way you've been living Life's so reckless, tragedy endless Welcome to the family Hey There's something missing Only time will alter your vision Never in question, lethal injection Welcome to the family Not long ago you find the answers were so crystal clear Within a day you find yourself living in constant fear Can you look at yourself now, can you look at yourself? You can't win this fight
I try and help you with the things that can't be justified I need to warn you that there is no way to rationalize So have you figured it out now, so have you figured it out? You can't win this fight
And in a way it seems there's no one to call When our thoughts are so numb And our feelings unsure We all have emptiness inside, we all have answers to find But you can't win this fight!
I see you're a king who's been dethroned Cast out in a world you've never know Stand down, place your weapon by your side It's our war in the end, we'll surely lose but that's alright So have you figured it out now, so have you figured it out?
Bat Country
So sorry you're not here I've been sane too long, my vision's so unclear Now take a trip with me But don't be surprised when things aren't what they seem
You've been breakin' down for far too long Far too many moons since you felt well and strong You see, you could say goodbye but you don't have to die Not ever
Engineer the wires to your brain Architect a code so you won't feel the pain With your family by your side and vigor in your eyes forever Live Forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm What's it really mean to be a man? Think about your answer but please understand While it's natural to fear, I'll make it disappear forever I forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm Singular I am I have the question if these thoughts are mine To live forever but did something in me die? I'm clawing my skin but I can't feel it inside I know the agony of pain would hurt so much better I'm way up, so far up Have I lost myself tonight? Mother, oh father Have you lost that boy you used to know?
Simulation
It seems I should have walked away Reverse the wager I've no means to pay Toto has pulled back the green tonight, in sight And blue pills coat with such disdain I wore the shades for so long That I've forgotten how to see The curtain rises but who dares to pull the strings
I know this might be hard for you to believe and all, But you only exist because we allow it I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? By the way of cosmic rays A subtle breakdown jarred the code display A simulation as I can tell, our cell Playing out a hopeless scene We stand to lose all our charm And faith just seems to wane A billion years can seem a stunningly short time You've been beaten down time and time again But still you find yourself at the center of it all I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? You hear me, you had one thing to do, one thing And you fucked it up, piece of shit Nurse, patient 666158 needs to be sedated We need 500 CCs of M Oh hello there, dearie I've been expecting you Posturing the way I feel Is truth only what we believe is real? Marvel the sketches that paint the night, starlight And take a breath before it's all erased away
Their song Angels; Waking the Fallen, Sounding the Seventh Trumpet.
Everglow:
Pirate
Yeah EVERGLOW Gonna be mad lunatic, girl When the mysteriously changed moon comes A show that will start suddenly In secret, yeah, dance I want it Ddi-dam-bam-bam, bba-rira-bam-bam A paradise found in a whole new world that is out of sync ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet I Start this voyage Towards the moon mist Yeah, let me introduce myself...
Twenty four hours, the light disappears Overnight, night, overnight During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the Crown Waving the flag, yeah...
All the way, all the way, all the way The riot we made All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet Start this voyage Towards the moon mist Yeah, let me introduce myself Ahoy! Sing a song now The hidden moon festival Well, shiver me timbers (Aye-aye) Watch this night together Last chance, get on board Approaching tsunami, disappearing afternoon Everyone falls asleep under these waves Yeah, I’m making the moves During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the crown Waving the flag, yeah (Oh woah) All the way, all the way, all the way The riot that we made (Oh yeah) All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board...
A letter from that future Together with that blinding light Trust me and follow me up to my ark...
Katy Perry and Nikki Manage
Michael Jackson's Best Tracks
"Swish Swish" lyrics Katy Perry Lyrics Play "Swish Swish" on Amazon Music Unlimited (ad) "Swish Swish" (feat. Nicki Minaj)
They know what is what But they don't know what is what They just strut What the fuck?
[Katy Perry:] A tiger Don't lose no sleep Don't need opinions From a shellfish or a sheep Don't you come for me No, not today You're calculated I got your number 'Cause you're a joker And I'm a courtside killer queen And you will kiss the ring You best believe
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
Your game is tired You should retire You're 'bout as cute as An old coupon expired And karma's not a liar She keeps receipts
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket (Let's go) Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
They know what is what But they don't know what is what Katy Perry They just know what is what Young Money But they don't know what is what They just know what is what But they don't know what is what They just strut Hahaha, yo What the fuck?
[Nicki Minaj:] Pink Ferragamo sliders on deck Silly rap beefs just get me more checks My life is a movie, I'm never off set Me and my a-Migos (no, not Offset) Swish swish, aww I got them upset But my shooters'll make 'em dance like dubstep Swish, swish, aww, my haters is obsessed 'Cause I make M's, they get much less Don't be tryna double back I already despise you All that fake love you showin' Couldn't even disguise you (Yo, yo) Ran? When? Nicki gettin' tan Mirror mirror who's the fairest bitch in all the land? Damn, man, this bitch is a Stan Muah, muah, the generous queen will kiss a fan Ass goodbye, I'mma be riding by I'mma tell my ...Biggz, yeah that's the guy A star's a star, da ha da ha They never thought the swish god would take it this far Get my pimp cup, this is pimp shit, baby I only rock with Queens, so I'm makin' hits with Katy
[Katy Perry:] Swish, swish, bish Another one in the basket And another one and another one Can't touch this Another one in the casket And another one and another one
They know what is what Do they know? But they don't know what is what They just know what is what But they don't know what is what They just know what is what But they don't know what is what They just strut What the...
Red Velvet: Dumb Dumb Dumb Dumb Dumb Dumb Dumb Dumb –31
You need to “Beat It” That boy Michael Jackson ”Bad” I’m not your “Billie Jean” Don’t you “Leave Me Alone” But you’re so ambiguous, I want “Black Or White” I can’t give up on you, my “Man In The Mirror” “Why You Wanna Trip On Me” You’re too harsh Boy, you make me “Scream” Why am I like this? Well, your “Love really Never Felt So Good” It’s so electrifying that it’s like
Aespa
Next Level
aespa
I’m on the Next Level, yeah I follow the absolute rules Don't let go of my hand unity is my weapon I walk to KWANGYA I know your home ground Confront the threat Beat it, beat it, beat it
An unexpected black out The temptation is deep and strong (Too hot too hot) Letting go of the hands held together But I'll never give up
I'm on the Next Level I open the door over there Next Level I'll destroy you in thе end Until I reach the Nеxt Level KOSMO Next Level Beat it, beat it, beat it
La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la
I see the NU EVO The hostile suffering and sorrow Make you popping and evolve further That's my naevis, it's my naevis You lead, we follow After learning the feelings Watch me while I make it out
Watch me while I work it out Watch me while I make it out Watch me while I work it out Work it, work it, work it out
Even the unbearable despair Can't break my faith Watch me while I work it Even if a more painful trial comes I won't let go of your hand, oh
Never look back Don’t covet things of KWANGYA If the promises are broken, everything will be out of control The signal is becoming unstable since a certain point in time I'll destroy you in the end (We want it) Come on! Show me the way to KOSMO, yeah
A hallucination quest created by the Black Mamba Aespa, they want to separate out ae, that's right I lose my balance and my voice too In the illusion of being criticized and alienated Nævis we (Call ae, ae) Aespa's Next Level Open "P.O.S" This is the REAL WORLD, I'm awake We against the villain, what's the name? Black Mamba
I open the door in the end (Too hot, too hot) That light is like Fire to you I'm dying to know The next story that will unfold Huh!
I'm on the Next Level I open the door over there Next Level I'll destroy you in the end Until I reach the Next Level KOSMO Next Level Beat it, beat it, beat it
I'm on the Next Level I become stronger and free Next Level I'm no longer who I was at KWANGYA Next Level Feel me I'm like a beast Next Level Beat it, beat it, beat it Huh! https://lyricstranslate.com/en/next-level-next-level.html-0
Savage
[Intro: Karina] Oh my gosh Don't you know I'm a savage?
[Verse 1: Karina, Giselle] I'm a Killa who will break you, ae You're still hiding and hallucinating Beat you up, we holler I'm not afraid of you, you, hit you harder Push me in, deep fake on me To the unprepared stage Corner me in, fake on me Got everybody, mock up to me You shake me up so that I feel ashamed Cold spectators are collapsed, ae I can't stand you anymore, say, "No!"
[Refrain: Winter, Ningning] Wait and see, I'm a little savage Your dirty play I can't stand it any longer You want to break me Your hallucinations are becoming The reasons to construct you
[Pre-Chorus: Winter, Ningning] I'm a savage I'll break you into pieces yeah, oh I'm a savage I'll crush you, oh
[Chorus: Karina, Giselle, Karina & Ningning] Get me, get me now Get me, get me now (Zu-zu-zu-zu) Or I'll become more Savage (Zu-zu-zu-zu) Get me, get me now Get me, get me now (Zu-zu-zu-zu) Now I'm going to get you Now, I'm a savage Gimme, gimme now Gimme, gimme now (Zu-zu-zu-zu) I can see your words Your weakness Algorithm (Zu-zu-zu-zu) Steaming, it's steaming Steaming, it's steaming (Zu-zu-zu-zu) MA ae SYNK Don't bother me and bog off, savage (Zu-zu-zu-zu)
[Verse 2: Giselle, Winter, Karina] Mhm, everybody looks at me I'm used to it, I should take a step back I have to endure it like an adult I'm locked up in the glass I want to play such a horrible expectation I'm locked up in that hallucination frame I'm going to KWANGYA, game in Defeating a subtle alienation And making me drift apart from my ae Your satisfying trick We gone KWANGYA, game in Cut it down, my sword of light To you who is damaged It's a merciless punch
[Refrain: Ningning, Winter] See? I'm a little Savage I block your regenerative power I distract you, I leave you out Don't forget, this is KWANGYA I control your time and space Make it, break it
You are the one who protected me when I was in trouble My naevis, we love you My victory, one SYNK DIVE All the opportunities you've created I know your sacrifices, oh My naevis, we love you I know, we'll make sure to find your memories Let's meet surely after the resurrection
[Breakdown: Karina, Ningning] Savage Savage Yeah
Girls
Wake up! In a deadlier war Hold on with your feet(our feet are like hands back home) Hook! Black Mamba I am not afraid of you Hoot! I’ll break you It has changed when we entered KWANGYA Distorted æ more like me, like one A crazy presence that shows The ember that was left behind...
grew into a great evil When I helplessly isolate you Reunite we’re together again Whoo Whoo Attack Beat it Yah You’re not alone...
Shined sacrifice If you found the memory Can you show us? Can you show up? Right now, right here Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Meta universe exists now Parallel world All beings have meaning Part of my heart We use sympathetic words and share the body temperatures In the end, we only pursue the value of goodwill I finally became stronger I don’t get swindled or hurt It’s distorted It has started again Make sides Isolate you and me so that we can’t see ahead The algorithms that have been distorted by bad desires Use existence as the weapon and swallow with destruction Ah Evil was started at that moment Whoo Whoo Move out flip Yah I’m not alone I want to protect first encountering REKALL I will hug you so that you can feel Without SYNK DIVE Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are Together We Them Girls We Them Girls To face a peaceful day Inside the FLAT We laugh and love together With my friends Now I’m more curious about the future together with nævis Eventually we will probably meet nævis on the REAL MY WORLD Hold up! REAL MY WORLD Your existence is brighter than my reflection in the mirror Can you tell me? Until when, will we be together? Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Girls! Official translation. Play "Girls" on Amazon Music Unlimited (ad) Other Songs from Girls Album Girls Girls
Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Take a look at my WILDSIDE
By instinct, do it Come along with me Let us go down, down, down, down, da street
I didn’t go anywhere Now I could go everywhere Scared of change Just looking from the side
When you protect me and I’m breathing I’m forced into misery like a puppet, muppet I thought I was no good But behind weakness there was strength Words from loveless people, I don’t care about it anymore I will show you the truth
Never tell lies to myself any more Fly now to the place I want to be I’m never scared of going to the sky
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
Accepting myself that I don’t even know of I want to love more, believe myself more So I don’t get lost, Yeah
Starlight, slash the dark night already So bright, sparkle La-la-la-la-la
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
By instinct, do it Come along with me Let us go down down I will show you my wild side
https://youtu.be/Qpf26PtBXgo 😬 cya ❤️‍🩹😾🙀🙈
Somethings gonna give and it's not going to be me.

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Steam Link	Price History & Bundle Info	Notes
1993 Space Machine	Info
A Case Of Distrust	Info
American Fugitive	Info
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Bionic Commando	Info
Boundless	Info
Bulb Boy	Info
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Choice Chamber	Info
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Command & Conquer Remastered	Info	ORIGIN Key
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Crying Suns	Info
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Dead In Bermuda	Info
Death Rally (Classic)	Info
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Don't Escape: 4 Days to Survive	Info
Driftland: The Magic Revival	Info
Dungeons II	Info
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Freedom Force + Third Reich	Info	Both Games
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Fun With Ragdolls	Info
GARAGE: Bad Trip	Info
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Gods Will Be Watching	Info
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Gunmetal Arcadia Zero	Info
Guts and Glory	Info
Hiveswap Friendsim	Info
Holy Potatoes! A Weapon Shop?!	Info
Holy Potatoes! We’re in Space?!	Info
Horace	Info
If Found...	Info
Iris and the Giant	Info
Journey of a Roach	Info
Killing Floor	Info
Kingdom: New Lands	Info
Knight Squad	Info
Little Big Workshop	Info
Love is Dead	Info
Lovecraft's Untold Stories	Info
Maid of Sker	Info
MOLEK-SYNTEZ	Info
Morbid: The Seven Acolytes	Info
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Mountain	Info
Opus Magnum	Info
Popup Dungeon	Info
Raiden V: Director's Cut	Info
Railroad Corporation	Info
Raji: An Ancient Epic	Info
RC Mini Racers	Info
Regency Solitare	Info
RIVE	Info
Road to Ballhalla	Info
Rover Mechanic Simulator	Info
Runestone Keeper	Info
Sakura Agent	Info
Sakura Magical Girls	Info
Sakura Nova	Info
Sakura Shrine Girls	Info
Shadow Tactics: Aiko's Choice	Info
Shenmue III	Info
Shining Resonance Refrain	Info
ShipLord	Info
Silence of the Sleep	Info
Simulacra Collection	Info
Smile For Me	Info
SPACECOM	Info
Spaera	Info
Still There	Info
Struggling	Info
StuntMANIA Reloaded	Info
Stygian: Reign of the Old Ones	Info
Sudden Strike 4	Info
Surviving The Aftermath	Info
Terra Lander	Info
The Dwarves	Info
The Haunted Island, a Frog Detective Game	Info
The Haunting of Billy	Info
The Textorcist: The Story of Ray Bibbia	Info
THOTH	Info
Through the Darkest of Times	Info
Tools Up	Info
Townsmen - A Kingdom Rebuilt	Info
Train Station Renovation	Info
Tsioque	Info
UnMetal	Info
Vikings - Wolves of Midgard	Info
WARSAW	Info
Werewolf: The Apocalypse	Info
Yooka-Laylee and the Impossible Lair	Info
Youropa	Info
Zwei: The Arges Adventure	Info
Zwei: The Ilvard Insurrection	Info

https://minimalfreaks.co/2023/06/ibiza-2023-house-party-playlist-by-simon-field/

1. MK, Dom Dolla – Rhyme Dust 03:01 128bpm G
2. James Hurr & Simon Field – Vibe Like That (feat. Georgia Meek) 03:23 bpm
3. Gorgon City – Voodoo 03:33 bpm
4. Anyma (ofc) – Explore Your Future 03:40 124bpm
5. Calvin Harris, Ellie Goulding – Miracle (Mau P Remix) 03:37 128bpm Cm
6. Simon Field – Rock with Me (Radio Edit) 01:57 126bpm A
7. Fred again.. – Danielle (Smile on My Face) 03:21 130bpm F
8. Ferreck Dawn, Jem Cooke – Back Tomorrow (GUZ Remix) 02:38 124bpm Gm
9. jaded – Lost Myself Again 02:52 125bpm Em
10. Milk & Sugar – Let the Sun Shine (Purple Disco Machine Remix) 02:46 123bpm B
11. Jamie Jones – My Paradise 03:31 128bpm Bbm
12. Simon Field – Diamond 02:36 124bpm D
13. Todd Terry, Riva Starr – This Is The Sound 03:12 126bpm Gm
14. Honey Dijon, Channel Tres, feat , Sadie Walker – Show Me Some Love (feat Sadie Walker) 03:52 126bpm
15. Dombresky – Soul Sacrifice 03:52 126bpm E
16. Dom Dolla, Clementine Douglas – Miracle Maker 03:08 128bpm Bb
17. Jess Bays, Poppy Baskcomb – Temptation (feat. Poppy Baskcomb) 02:52 125bpm Ebm
18. D.O.D – Every Step 02:39 bpm
19. Eats Everything, Shezar – Get Up 03:06 159bpm F
20. Nimmo, St. Panther – When I’m With You 03:41 157bpm Bbm
21. Audio Bullys, Michael Bibi, KinAhau – Different Side 03:13 128bpm C
22. Cevin Fisher, Micky More & Andy Tee – All About The Culture (Simon Field Remix Edit) 03:31 125bpm Cm
23. Aluna, TSHA – Killing Me 03:14 124bpm Ebm
24. Claptone, LAU.RA, James Hype – Beautiful (James Hype Remix) 03:04 126bpm Am
25. ACAY, Lauren L’aimant – Hold On (Radio Edit) 03:36 126bpm Bbm
26. Robbie Doherty – It’s My Beat (Radio Edit) 03:51 130bpm Ebm
27. Kaskade, deadmau5, Kx5 – Escape feat. Hayla (John Summit Remix) 03:46 126bpm Am
28. Rudimental, Marshall Jefferson, House Gospel Choir – FWD 03:01 128bpm Am
29. MistaJam – Nothing Else Matters 02:36 bpm
30. Bob Sinclar – World Hold On feat. Steve Edwards (FISHER Rework) 02:58 127bpm Abm
31. Café Du Midi – Sweet Deep (Radio Edit) 04:14 123bpm Am
32. Ferreck Dawn, Jem Cooke – Back Tomorrow 01:58 125bpm Cm
33. D.O.D – Set Me Free 03:00 bpm
34. Essel – Lennon 03:25 128bpm Gb
35. Curtis Richa, Teo Mandrelli, Tristan Carmichael – Fever 02:53 125bpm Cm
36. The Blessed Madonna – Serotonin Moonbeams 04:49 65bpm Abm
37. Simon Field – Gack Gack (Get Down) (Radio Edit) 02:45 123bpm Cm
38. Simon Field, The Endorphins – Out of the Blue (feat. The Endorphins) (2023 Version) 03:25 123bpm Dm
39. Mirko & Meex – Take Me Away (Qubiko Remix) 03:20 bpm
40. Movada – Level Up 02:28 bpm
41. Marten Hørger, Tchami – The Calling 03:17 125bpm Db
42. TCTS – Never Know 02:55 128bpm Bm
43. James Hype, Miggy Dela Rosa – Ferrari 03:06 125bpm Dbm
44. Steve Aoki, Regard, mazie – New York ft. mazie 02:12 105bpm A
45. Tinlicker, Helsloot, Hero Baldwin – Tell Me (feat. Hero Baldwin) 03:23 124bpm Gm
46. Fatboy Slim – The Rockafeller Skank (Jay Robinson Remix) (Radio Edit) 03:32 124bpm Gm
47. The Shapeshifters – Lola’s Theme (Radio Edit) 03:27 124bpm Gm
48. Aluna, MK – Kiss It Better 04:17 127bpm Em
49. Random Soul – Just Bounce (2023 Rework) 04:41 125bpm Bbm
50. Gorgon City, Danny Howard, Sonny Fodera, Stevie Appleton – Remember (feat. Stevie Appleton) 03:20 160bpm Cm
51. Hugel, Westend, Cumbiafrica – Aguila feat. Cumbiafrica 02:48 125bpm Gbm
52. Paul Mayson – Have It All 02:43 125bpm Am
53. Tobtok, Arinn – Satellite (feat. Arinn) 02:43 124bpm Cm
54. MK, Burns, Teddy Swims – Better 03:02 125bpm Gbm
55. Goodboys, Leftwing : Kody – Only You 02:49 126bpm Bbm
56. Riton, Oliver Heldens, Vula – Turn Me On 03:28 124bpm A#m
57. Dutchican Soul, Husky & Elly J Devon – Higher 02:53 bpm
58. Franky Wah, ACO – Under The Sun 03:28 122bpm Gm
59. Alex Mills, Eden Prince – This Feeling 03:14 126bpm Bm
60. Purple Disco Machine, Sophie and the Giants – In the Dark (Oliver Heldens Remix) 04:27 124bpm Dbm
61. LF SYSTEM – Afraid To Feel 02:57 128bpm Ebm
62. Tube & Berger, Alegant, Armaja – Imagine 03:38 125bpm D
63. Stone Van Brooken – The Otherside (Radio edit) 03:10 123bpm Em
64. Burns – Burning In My Arms 03:31 125bpm
65. Jack Kelly, Bertie Scott & Lauren L’aimant – Backwards 03:28 bpm
66. SverreV – You Make Me (Oh Oh Oh) 02:26 123bpm Am
67. Simon Field, iiola – Where Are You Now 03:42 123bpm Gbm
68. Calvin Harris, Dua Lipa – One Kiss 03:34 124bpm Am
69. Fisher, MERYLL – Yeah The Girls 03:14 126bpm Ebm
70. Nihil Young – Believe 03:33 122bpm F
71. Petrona Martinez, Simon Field – Las Penas 03:06 126bpm B
72. Ella Henderson, Nathan Dawe – 21 Reasons (feat. Ella Henderson) 02:35 124bpm Ebm
73. Karen Harding – Back To You 03:03 124bpm A
74. Tube & Berger, Frank Sonic, Goatchy – The Future 03:31 123bpm Dbm
75. David Guetta, Becky Hill – Remember 02:40 124bpm Eb
76. Fred again.. – Billie (Loving Arms) 03:37 128bpm Bb
77. James Hurr, Moya – We’ve Got The Time (Radio Edit) 02:47 124bpm Bbm
78. ESSEL – Love Vibration 03:00 bpm
79. John Summit – La Danza 02:37 126bpm Dbm
80. Drama, Gorgon City – You’ve Done Enough 03:33 125bpm Cm
81. Kaskade, deadmau5, Hayla, Kx5 – Escape 04:00 126bpm Am
82. David Guetta, Becky Hill, Ella Henderson – Crazy What Love Can Do 02:49 123bpm Em
83. The Blessed Madonna, Fred again.. – Marea (we’ve lost dancing) 04:45 123bpm Fm
84. Milos, Simon Field, Magnus Foss – If I Don’t 03:28 120bpm Cm
85. Paul & ME, Ryan Spicer – Can’t Break Again 02:53 124bpm A
86. RAYE, Disclosure – Waterfall 03:52 128bpm Bm
87. Nihil Young, Crimsen, Rodrigo Serna – Sirens (Radio edit) 03:26 93bpm Gbm
88. KREAM – Take Control 02:47 123bpm Bbm
89. Glen Horsborough, MVTTIE – What It Means To Me (Zsak Remix) 03:08 126bpm Cm
90. Zedd, Disclosure – You’ve Got To Let Go If You Want To Be Free 04:13 124bpm Am
91. Tube & Berger – Waterfall feat. Goatchy 03:26 123bpm Am
92. Westend – Get This Party Started 02:40 126bpm B
93. Doja Cat – Streets (Disclosure Remix) 04:14 117bpm Em
94. Serra 9 – Save Me Now 04:12 115bpm Dm
95. Simon Field, SverreV – La La La (Verano 2018 Remix) 02:24 120bpm Dm
96. Michael Gray, Brutha Basil, Tatiana Owens – In My World 02:57 122bpm Dbm
97. Sonny Fodera, Danny Howard, Gorgon City, Stevie Appleton – Remember (feat. Stevie Appleton) (Hannah Laing Remix) 02:44 132bpm Cm
98. Elton John, Britney Spears – Hold Me Closer (Purple Disco Machine Remix) 03:38 126bpm C
99. Jamie Jones – Lose My Mind 03:01 124bpm Gm
100. Bob Sinclar, A-Trak – Deep Inside Of Me 03:01 125bpm Ebm
101. Gorillaz, feat , Tame Impala, Bootie Brown – New Gold (Dom Dolla remix) 04:34 127bpm
102. Manodom – Be Funky (Sebb Junior Remix) 03:33 124bpm Bb
103. Giant, Ferreck Dawn, DAIJAH – Free Candy (feat. DAIJAH) 02:48 128bpm Gbm
104. Dave Lee & Omar – Starlight (Grant Nelson Mix) 04:42 bpm
105. C’mon, Mat.Joe, Otistic (DE) – Hypnotized 06:15 124bpm Dm
106. Da Lukas, Mandy – West End Girls (Mark Picchiotti Remix) 03:30 121bpm Em
107. LF SYSTEM – Hungry (For Love) (Paul Woolford Remix) 04:01 130bpm Gm
108. Joeski – Afro Latinism 06:54 125bpm A
109. Franky Rizardo – Whatchagonnado 04:37 128bpm Db
110. Mau P – Drugs From Amsterdam (Armand Van Helden Remix) 02:36 130bpm Bb
111. Idris Elba, Solardo – Big Talk 02:40 128bpm Dm
112. Miguel Migs, Martin Luther – Restless Nights feat. Martin Luther (Dutchican Soul Mix) 03:20 125bpm Em
113. Gilbert Le Funk – Outside 05:14 124bpm B
114. Saison – Feel This 06:07 126bpm C
115. Bob Sinclar, Salome De Bahia – Outro Lugar (Bob Sinclar Remix) 03:40 123bpm Gbm
116. Kim English, Schak – Moving All Around (Jumpin’) (John Summit Remix) 03:26 128bpm Bbm
117. Dirty Channels – Make You Cry 04:11 126bpm Em
118. Tensnake – Coma Cat (Chloe Caillet Remix) 03:35 125bpm Gb